At the beginning of the film, my expectations were fully met: Audrey Tautou was as beautiful as ever, as thin as ever, and what surprised me even more was that she was still wearing that army green trench coat, surrounded by the red The scarf is like a continuation of the beautiful life, a kind of long-lost kindness. The style of the film is still fresh and bright, and the French romance is self-evident. The male protagonist's character and appearance are satisfactory, not too greasy, not too vicissitudes; not too sunny, not too depraved; not too rich, not too poor. It is also such a person who is the most suitable for Audrey Tautou and I like it the most.
There is no emotional entanglement in the film, which is very in line with the character of Europeans. It should be only China and South Korea that will make two lovers go through untold hardships. At the beginning, I was worried that the two men would become rivals in love, and that the kind and lovely Felipe would be sad because of the loss of the heroine. But Felipe Bell in the film has never loved the heroine, which makes me believe that there is not necessarily something between the opposite sex to make sense.
What fascinated me most at first sight was the old French decoration style, with a touch of washed tones. Yes, I've always been a person who believes in feelings, and what attracts me to a film is always its content, and the degree to which it's expressed. A movie without connotation is of course a failure, but a movie with deep connotation but not well expressed due to reasons such as acting, music, pictures, etc., is also a failed movie. What a movie fan is looking for should be the emotions in the movies, the feelings that make him think about it from time to time. I am a person who is afraid to try new things, "Amelie" introduced me to French cinema, and "Sleepless in Paris" made me fall in love with French cinema.
Now, the only thing I want to do is to buy an army green trench coat and a red scarf.
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