thinking stagnation

Teagan 2022-04-19 09:02:44

My first impression of this movie was Sammo Hung's huge belly.

Few of the characters in the film feel alive or remembered from beginning to end.

One of the four police officers in the film, the long-haired male police officer with a daughter, is Chen Jinnan in Chen Xiaochun's version of "The Lu Ding Ji", which I also remember.

The fighting scenes between Donnie Yen and Sammo Hung in the movie are generally designed. At the end, the director can come out and work hard to design them, but he still cannot lift the weight of the word "moved".

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Extended Reading
  • Cindy 2022-03-26 09:01:12

    Facts have proved that some actors have a stronger sense of presence when they are Luye than when they are the protagonists. Wu Jing killed his presence as the protagonist in the sequel of the series in just a few minutes (played by Zhang Jin in the sequel). The villain is even more brilliant). Hong Jinbao's sword is not old, and Donnie Yen's style is still the same. Everyone played very hard, but the stories of this series are really not worth watching. Basically, they serve the action scenes and ignore the plot logic.

  • Hermann 2022-03-18 09:01:07

    [B-] In the end, the feelings of the hearty action paragraphs are all washed out by the tedious plots in the front, leaving only a piece of feathers. You see, it is also the capture and decomposition of speed. Some action movies have been able to achieve the perfect balance of body performance and audiovisual language under the rhythm of rhythm. The scenes of "Slaying the Wolf" only left tedious front and back fights, faithful to the martial arts actor's own skills and the use of martial arts, but ultimately fell into another extreme that has no way out (Zeng Zidan and Wu Jing's street fighting is the most obvious) . In addition, in this kind of movies, it is necessary to make a "fateful sense". It is unique to say that it sounds good, and it is not meaningful, and it is really contrived.