After watching 4K at MOMA, I decided to remark, after all, this can be called "watching" a movie. Perhaps because this is the most energetic state, or because I have rewatched the other two of the three films too many times, "Q" has become the best work for my pilgrimage viewing experience.
The title of the second part expresses the ambition of "breaking". "Q" continues the ending that triggered the three rushes ahead of time. The opening chapter is completely different from the main body. Fourteen years later, in this unintelligible "Q" world, TV's old man Question recycling: once again, how does Shinji Ikari face this world that he wants to escape but is passively involved in?
Using a large number of violations of the principle of seamless editing, deliberately using Anno Hideaki's strong audio-visual understanding to use multiple abrupt montage transitions to connect the NERV underground world and Ikari Shinji's closed room (opposite to Black Lingbo); auditory; The most important thing is undoubtedly Nagisa Kaoru's piano, between the dissonant notes towards Ikari Shinji and Nagisa Kaoru - the love between man and the first apostle full of divinity, not the "basic" as most people understand it. Affection". At this point, I think the over-interpreted and counterpointed religious metaphors in the EVA chapter are far inferior to the new understanding of the ruffians in the new chapter.
Looking back, Q has the lowest score of the three theatrical versions, and the most voice is "unintelligible". Perhaps this is probably the price of "breaking". It has been until the end of EVA 4.0 from eight years ago until this year. I am afraid that the enthusiasm for EVA in many people's hearts has been wiped out. Choose to calm down again and watch Q again, feel the atmosphere in this transitional chapter is different from the previous two, feel the world revolving around Shinji Ikari and the characters in it, this is what really makes "Q" different from "Q" Preface" and "Break".
Because of this, the same precious smiles of Ling Bori and Mona Lisa when the plug was opened back then buried a love in Ikari Shinji's heart, and the 28-year-old Asuka opened the plug and dragged the 14-year-old boy with the same action. He came out, pinched his face and complained about his childishness, just like what Misato Katsuragi did in the first place, which is the best explanation of the relationship between the three women in EVA and Shinji Ikari.
When I captured this big panorama of "Sakura Flow", maybe the old man from NGA was not moved by the passage of eight years away from EVA, but was moved by this world for the countless times. Different from the first two "Beautiful World" by Tako Uda, this red world that lost Ling Bo Li and Nagisa Kaoru is no longer worthy of the Beautiful boy in the lyrics. All that is left is the short and beautiful life that he and Nagisa Kaoru, who were hated by the old world, experienced together. Because of this, "Sakura Flow" has become one of my favorite EDs.
Netease Cloud's lyrics are wrong. I have tried to complain many times. I believe that people who really understand EVA will not translate love into "love".
Two sentences repeated here
Everybody finds love
In the end
It was Shinji Ikari's most straightforward confession to Ling Bori and Nagisa Kaoru.
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