The first half of the film is really stupid for everyone... It's one aspect that can change eva so unrecognizable (not derogatory), and what surprised me more is the exquisite production and seamless effect of the animation.
Whether it is color designation, 3d+2d mixing, background drawing, special effects, original painting, OST, this EVA is the pinnacle. I'm not just talking about the pinnacle of eva, but also the pinnacle of Japanese animation. Although it is a completely different era and different style from Hayao Miyazaki, I believe that his old man will be amazed when he sees this kind of animation. It is really a powerful animation.
When I watched the theatrical version of berserk a few months ago, I was still moved by its beauty. I felt that this is the level of the theatrical version. After watching eva Q, I found that berserk was a bit unworthy in comparison, although it was also produced by Shiro Heron. ost, but the difference between the director's level and the work itself opened the gap.
Without hesitation, I can say that the new theatrical version of EVA is simply the ideal Japanese animation in my heart, fully demonstrating the creative advantages of animation. In addition to the complete Japanese elements, the CV of the all-star lineup, if I had to recommend only one anime to others, it would be the new EVA theatrical version.
As mentioned earlier, the production of this eva is excellent in every aspect, but the music, storyboards, and scene
ost are the ones that are more impressive, and the quality is of course not to mention. Because OST was sold much earlier than BD, and I had a glimpse of it for a long time, relying on music and yy self-righteously, I had a preliminary taste of Q, but when I actually watched the film, the experience was even higher. The picture and music Although the cooperation is not to the level of Watanabe Shinichiro's animation, the synchronization rate is also very good. It is natural but there are occasional surprises. The smooth, carefree, isolated feeling of the gay guy playing the piano is very enjoyable.
Unfortunately, this is also the most eva-flavored OST in all dynasties, and the familiar melodies in the past almost did not appear. Maybe just like the plot development, this is already a brand new eva.
Storyboards and scenes have to be said together. Because there is such a scene, it is possible to have such a storyboard; perhaps on the contrary, I want such a storyboard, so there is such a scene. All in all, they are complementary.
Eva's scene feels a bit like Muji's poster of "Nothing" in snow: oversized scene, pure scene, surreal.
In the storyboard, there are a lot of animations that can be easily achieved. The second is to make full use of the superior 3D technology to make some spatial perspective changes that are not easy to make in general animations. The third is to switch shots with strong contrast, which is very enjoyable. . After the third impact, the surreal EVA world was fully presented on the screen.
Finally, I want to talk about the voice acting. Shinji, the protagonist, performed very well, and Asuka was also very good. This personal dubbing is a little bit different from the current mainstream dubbing. It is a little less contrived and closer to the real intimacy, a bit like the feeling experienced by actors in Flower of Evil.
The only thing that feels a little strange during the audio-visual process is that the volume of the bgm and vocals seems to be too stiff in some places, and the bgm suddenly drops or something.
My writing is poor... I am just writing and recording for my own entertainment...
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