The filming method has its own characteristics. The real life of the female protagonist who was injured in the accident is interspersed with the memories of emotional entanglement with her ex-husband, as if passion and reason are parallel. It is both like a memory, like a comparison, and like a review, reviewing the past, reviewing feelings, and reviewing yourself. The hero and heroine started out very "French". A rational female lawyer ran into an unruly restaurant manager. The fire of dry wood and fire completely devoured her rationality (otherwise, the more sensible a person gets crazy, the more serious the consequences), so two different people fell in love. ,Engage. Everything at this time is still rose, champagne, "French taste". Lang and Zuo, because the two of them are not tied, they can let go of their hands and feet. When the "buns" landed, the heroine's nature began to awaken. "Baozi" originates from an instinctual need, which stimulates a woman's motherhood, protects her children, and establishes a more stable, safe and warm growth environment for her instinctive desire, which makes the heroine begin to look at her current life, and is sensitive to being intoxicated and sweet when she was once intoxicated. All kinds of unsettling factors that are ignored (the male protagonist's unbridled appearance and the ambiguous habits of various women). The heroine began to "land" quietly, no longer indulging in sweet words and passion, but more eager for realistic stability and company with each other. At the same time, the male protagonist is still "freeing himself", and the rhythm of the two is no longer in sync, so they start to tear, from dark to light, from silence to questioning, from patience to quarrel. In this case, the one who has a sense of responsibility and scruples, and who faces reality, is destined to suffer more from the discomfort of sobriety and "wake-up". From the sadness of facing the reality to the shock of discovering the truth, the female protagonist talks to the male protagonist and quarrels with her family, but in fact it is just tearing at herself. After all, the heroine is a passionate person. After being depressed for a long time, she became depressed, took drugs, and almost died. In the end, he couldn't bear the "erratic" of the male protagonist and the torture of each other, so he chose to break up. The two experienced a quarrel, split and closed. When the female protagonist takes the scumbag man seriously, she is deceived and rejected; when the two are really separated, the female protagonist doesn't take the male protagonist seriously, and uses him for entertainment, and the distance makes the female protagonist a scumbag. In the eyes of the man, "infinite charm" was restored. When the time comes, when the heroine regains her composure and looks back, the "Piao" man is still the same lustrous color of the heroine's past passion, which can be reminiscent with a smile, but it is only a recollection. I don't know if at this time, she has some understanding of the "pink confidant" who is always favored by scumbags, but is reluctant to give up "weird". At the end of the film, the hurried figure of the male protagonist and the intriguing smile on the female protagonist's mouth finally let the ups and downs of the past and the quiet and stable present meet in front of the eyes. The wandering man and the calm woman finally return to their respective tracks. This film allows "France" to show the other side of real life beyond the waves. Those who wave again will eventually face the moment of "landing", even if they are in a paradise like "Simon officials" in France. After all, Lang relies on this skin, and this skin has its real material properties, and it will get old if it has ties. No matter how scum, there are times when the scum doesn't move, and no matter how "charismatic" overdraws other people's feelings, it is inevitable that others will get bored and become "lonely" one day. The male protagonist is a scumbag. He has deep routines and many tricks. If he catches a rape in bed, he can be interpreted as a terminally ill forced drama, and his wife is stunned for a while. But when facing his wife's breakup, he did tell the truth: that's how you liked me back then. (Subtext: You are blind, blame me?!) It's not that the scumbag changes his mind (too many hearts, it doesn't matter at all), nor is it that the scumbag refuses to change for love (the nature is like this, it's hard to change), but from the beginning , The heroine who lacks the knowledge of people and completely abandons her rationality, is looking at this kind of "thief" scumbag. Blind eyes don't count as a scumbag, and the "ambitious" fantasy has captured the "mountain" that no one else can take down! After a brief "satisfaction", fantasy is torn apart by reality. So the impact and injury from the truth, followed by patience and conflict, until finally the tortured madness, both loses, the similar routine is almost universal. The difference is only the strength of endurance, and in the end it is a trade-off between "a strong man breaking his wrist" and "throwing down his teeth and swallowing blood". It’s still the same honest saying: You can’t take down a mountain that others can’t take down, and you can’t take down your “flag”, not because your “life is tough”, maybe just because the other party just wants to “lure the enemy deeper” That's it! Many of them don't understand until the end, they are still struggling, and they are struggling to ask the other party why they are scumbags! Just like what the male protagonist said to the female protagonist with an innocent face: When you first fell in love with me, I was like this (scumbag)! What you like is the way I look (scumbag)! In fact, there are many such works here, but the differences between Eastern and Western cultures make their focus slightly different. After the long-term feudal system of wives and concubines, the more introverted and delicate Oriental, whether it is "fighting mistresses" or "divorce wars", can be used for "single practice" in any paragraph, and the focus is often on the last choice, and after the choice. long-term impact. As for "accustomed to the wind and waves", the West, which emphasizes individual feelings, especially the "old law" that promotes feelings and passions, pays more attention to the changes in emotions as life roles change. But no matter it is East or West, through this French film that reflects the reality despite the dramatic conflict, we can see that whether it is France with more waves or the East with more "slow", it is impossible to face life itself and be immersed in it. Illusory pleasures and imaginations all have to go through hardships. In this regard, it's a bit of a "same destination". I suddenly remembered a little joke: Some people are surprised that his girlfriend and mother-in-law are also women, why is the latter so scary? ! The old driver told him that it was because his mother-in-law had already been tricked once!
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