Er Dongsheng's films can always tell you something new. For example, the underground society in "Mong Kok Night", such as the drugs in "Disciple", such as the Chinese gang in Japan in "Shinjuku Incident". Even if his story is not good, as long as these things are there, the work will not be completely meaningless. Obviously, Er Dongsheng conducted in-depth research at the beginning of the idea and set a theme. The theme is the jewel of Er's film, and the story is just a shelf.
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