. When Chinese characters appeared on the big screen of the Australian cinema, and when the 3-dimensional surround sound came from Mandarin and Shanghai dialect, I was really impressed. She's going to cry heartily. . .
What makes me want to cry is that I heard Jackie Chan and Daniel Wu communicate in blunt Mandarin with a Hong Kong accent. Of course, there is no problem with the Hong Kong accent. The problem is that they play the honest, kind and authentic Northeast man. .
In fact, the film is not very drippy, and it is not as atmospheric as imagined. The touching parts are very rigid, and the character portrayal is not successful. They are basically vase and dragon-shaped characters. The so-called violent scenes are really very small, and the dedication to the hand-chopping scene really makes people suspect that the director is possessed by Quentin Tarantino.
Then there is the serious afterthought: the whole film describes the story of the Chinese people who smuggled to Japan, represented by Jackie Chan, and finally succeeded in their hard work and hard work. This is not a great encouragement for us in a foreign country. with incentives?
Improper afterthought: The whole film delicately depicts the process of Daniel Wu in capitalist Japan from being a simple and kind northeastern peasant brother to a Shinto non-mainstream (commonly known as killing Matt), which is not a profound exposure of capitalism. The ugliness and corruption of society?
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