He discussed the big propositions of life, who am I, who am I, why am I here, what am I doing here, where am I going in the end, and of course, the final answer is the same for everyone, facing death. Sono Ziwen's films are addictive, try to recall some powerful images of absurd plots. He borrows the absurd to express the deepest doubts and desires of human nature. His plots always go to the extreme. The extreme is a strong expression, and the strong expression is the explosion after accumulation or repression for a long time. He wants to be an ordinary human being, the intersection of all the tragedies that fate has given him, from outside to inside. The nuclear radiation in his hometown, his father was in debt, his mother ran away, and the boat rental house was his only refuge. After all the misfortunes happened, his father came to tell him that he hoped that he would disappear from this world, and what was more important than him after weighing is insurance. From the perspective of humanistic care, money is never more important than human life, but Yuan Ziwen's films, in a relatively desperate situation, the good and evil of human nature are clear, so it is not comprehensive to say that human nature is inherently good or inherently evil Yes, different individuals in the same environment will produce completely different value judgments.
Whether it is inward exploration or outward exploration, as long as it can reach the depths, it is interesting. But the most uncomfortable thing is the feelings that can be described, like innocence, like kindness and beauty. Desires, obsessions, and relative egoism are part of human nature. It is unreal to cut off the ugly and leave only the good.
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