If you have watched "The Abandoned People", you should have a deep memory of the last sentence of the male protagonist of the film: "Human, why should I be born, why should I live, why should I die? , why, why am I Yusuke Tanukiga!"
Well, I can't remember exactly, maybe that's what it meant.
It's okay to use this sentence to summarize that movie. The problem is: it's unreasonable for the male protagonist to shout out this sentence.
So how is it reasonable? Through the performance of the actors and the presentation of the camera, it is reasonable to let the audience come up with this sentence in their own minds.
In "Icy Tropical Fish", the male protagonist also directly incarnates his life mentor in the last scene where his daughter is inserted. The golden sentence is frequently used, summarizing the views expressed in the whole movie with lines: "Does it hurt? Do you want to live? Life is Pain! It's painful to live your life."
No need, no need for him to say this.
To quote another comment: After the blood-splattered murder and sex, the actor left a sentence: Life is pain. It seems too long to wait for two and a half hours to read. In the process, all the gore and pornography becomes dull.
It is really unnecessary for the characters to summarize the core ideas of the film with their lines. This expression only turns the previous foreshadowing into a joke.
Just like in "The Abandoned People", the ending can be completely without saying a word, and it is enough to let the male protagonist cry out to his heart and let the audience feel his inner struggle.
The role of Murata is also very didactic.
If you "break through the psychological defense of the male protagonist's wife and put him on the spot", "bring up his past when the male protagonist was dismembered for the first time", "hidden the male protagonist's repressed heart and let him face the reality", "in the confusion of consciousness" When I am afraid to beg my father for mercy" These scenes are taken out alone, and there is no problem.
But this character is chattering from beginning to end, and his voice fills people's minds. When you see him again, he can easily explain other people's life trajectories and mental journeys as if he opened the perspective of God. When the expression "understand", it is inevitable that there will be a very strange feeling, as if this character is to convey the theme of the film and put all the characters' inner lines on the table, so he deliberately makes him talk so much. .
If the character can speak when he should and use his eyes to shape the character when he should not, the overall look and feel of the film will be more comfortable.
But what makes people feel long is not Murata's rambled lines, but Sonoko Wen's consistent release of his own blood.
I'm too lazy to talk about this. Personally, I think the movie can be cut for another 20 to 30 minutes, and the look and feel can be improved a lot.
Anyway, the two scenes of "the male protagonist wearing a white shirt and Murata's wife fighting to the death" and "the male protagonist's daughter laughing wildly at the male protagonist's corpse with the music" were pretty cool.
Plasma, like sex, should exist to promote the plot. At the same time, you have to master the degree. If the range of push is enough, it is time to start the next play.
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