If the body art park, or the blankness of emotions and the fear of it, all represent the dissatisfaction of erotic desire, then the plastic surgery of modern people, and the appearance of the body art park after plastic surgery, is the extreme expansion of human desires, and the inability to The identified self conducts an impatient search.
However, just like the process of body art, from Willendorf's Venus' conscious exaggeration of the chest, abdomen and buttocks, to the suppression of primitive desires in ancient Egyptian flat portraits (we have never seen Ji Woo after the operation, and the director also interestingly Let him disappear quickly, which seems to be an extreme repression of desire), to ancient Greece, which completely objectively created an anatomically realistic human body, but in the end ancient Greece could not stand the dullness (just as Sehee did not want to change). Beautiful, just want to change a face), the original exaggerated desire has been revived in the graceful human body lines in ancient Egypt and the art history after it, and our vision can be so keen to capture the beauty of everything.
However, Korean cosmetic surgeons cannot be the magical work of ancient Greek craftsmen, or the flesh cannot be equated with stones, the meaning of life cannot be equated with anatomical nature, and the fresh life cannot be otherworldly. The overlapping of the beginning and the end of the story is precisely the delusion that we cannot get out of the visual stimulation today, and it must be said that it is a punitive allegory for modern times.
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