woman's love for a man is always mixed with a little worship and gratitude.
He guards the door of the luxury hotel at midnight, but he cannot guard his desires. In the countess, he is a victim of sex. In front of his little girl, he is a cruel and cunning executioner, licking her wounds and saying I love you every time a knife is cut in her heart. War makes many people crazy and makes more people desperate. That painful memory was buried deep in their hearts and was reopened by a sudden encounter. But is it really painful? It was Markle who made her feel a little bit of care in hell. She is accustomed to accepting love that is not pure and expanding it infinitely into the greatest good. That love is a combination of abuse and abuse, the crux of people who are sadistic and sadistic.
"Midnight Gatekeeper" uses a green background to create a Gothic sense of dread, reflecting the apocalyptic conception of the world through pornography and fear. He illustrates sexual guilt with the guilt of war, and the duality of man with seemingly irrational feelings and actions. In war, the duality of people can be interchanged, the executioner may become the victim, and the victim may take up the butcher's knife. In "Midnight Gatekeeper", it is not difficult to see that the victims of the year often couldn't forget the past and couldn't get rid of their spiritual trauma, while the executioners admitted to feeling guilty, but tried their best to justify and excuse their crimes. Neither the victims nor the perpetrators have a deep understanding of themselves and the reality, and their passive behavior of being too submissive makes it impossible for them to change the status quo, but sink deeper and deeper into death.
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