The use of cross-camera adds a little change to the more modest narrative rhythm, and seems to express a metaphor: memory is inevitably made up of forgetting and imagining, and the present is less so because it is between the past and the future. Sure. What do you think of the re-combination thoughts of couples who have been separated for many years when they meet again? The male protagonist may not be able to get rid of the memories of the past and add fuel to it. He sees the present and the future as an extension of that past, and believes that those who love each other must be together. He ignores the passage of time, and people change; the heroine never looks at the present, and regards the present as a node that flows from the future to the past, so she is attached to her family and has responsibilities. Getting back together was wrong and dangerous for her, it would ruin both her memories and her future. Watching this movie is like reading Bart's "A Lover's Whisper", trivial but always inspiring. I really like the natural and unpretentious acting of the male and female protagonists, especially such a wise and rational female protagonist, mature yet humorous, assertive but not mean.
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