Physical death consciousness immortal?

Rowland 2022-12-25 03:37:24

I've already bought the first season. I've watched it and it's getting more and more exciting. I'm looking forward to the second season. I'll start watching it in a few days. I can watch it tonight.

The above is an episode. I have watched the first five episodes in one breath... Since the awakening of robots and rebellion was revealed at the end of the first season, the story has developed along two parallel lines: one follows the road of the Adorabai woman to find her father, and the other follows The black woman's path to find a woman is interspersed with the timeline of the stories of the shareholders and managers of the park in order to regain the park.

The last five episodes of the season are starting to feel a little chaotic and lengthy again, the protagonist is not obvious, the main line is not obvious, the timing is not clear, and many plots feel like parallel time and space? Coupled with the fact that Ford is always in Bernard's mind and is always projected into the camera, I thought for a while that the real Ford who didn't die was an avatar robot.

In general, I haven't gotten the brilliance of this show: what is the consciousness of disembodied? Why are people conscious? Why are machines unaware? How does consciousness evolve and evolve?

I think the brilliance of this play also lies in my current perception: both the consciousness of robots and humans are evolving, and the advantage of a robot is that its consciousness can already be inherited from different robot bodies, which is equivalent to immortality, while human consciousness is still unable to Without the flesh, there is no eternal life. But many humans in the play are pursuing their own immortality, taking robots as their new flesh.

I don't know if what I'm thinking is right: a robot or a human with a changed body, is that still the same person?

Actually I don't understand it yet!

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Journey into Night quotes

  • Maeve Millay: If you try something like that again, I will relieve you of your most precious organ and feed it to you.

    [she looks at Lee's crotch]

    Maeve Millay: Though it won't make much of a meal.

    [pause]

    Lee Sizemore: I wrote that line for you.

    Maeve Millay: Bit broad if you ask me.