rare to see a story with a strong sense of design that is too fake and unreasonable (such as King's narrative logic: as long as those people are unlucky) There are no unexpected surprises from beginning to end. The conditioned reflex of the stimulus event at the beginning reminds people of 11:14—the mastermind behind the scenes, I am waiting for you
, and the most failure is that all the foreshadowing settings and clues are obviously not satisfied. The smarter the audience, the mediocre struggle, labelled conspiracy, or the turning point can be seen thousands of miles away. Without suspense and thriller, isn't the best script of the so-called Korean xx awards a variety show script with a sense of movie footage?
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