The climax of the cleaning has already reached its peak. At the beginning of the chapter, the male protagonist hits and kills someone. After that, the police car drove through the scene and portrayed the characters' psychology very well, which made the audience nervous to a certain extent. Of course, the audience must know that the male protagonist will not be discovered. After that, a whole climax is the coffin hiding the corpse. When the male protagonist is staring at the coffin, the audience should be able to guess that he wants to hide the corpse in the coffin to solve the problem of the corpse perfectly, but he can't help her mother, but how does the corpse get in? Here the screenwriter has given wild imagination. The daughter's toy and the mother's coffin saved the male lead, which cannot but be said to be an irony. After that, the male protagonist thought that life was peaceful, and compared with hiding a corpse, taking bribes was a trivial matter. One wave after another, there are still people who know about him hitting and killing people and threaten to use it. The feeling here is very abusive. Usually, when we watch a movie, we will bring ourselves into the protagonist, and we receive threats. It certainly doesn't feel good, and then there's a series of episodes that happen because of the threat, which is really heart-wrenching. In the end, the mystery was revealed layer by layer. It turned out that the deceased and a policeman were selling drugs together, and the key was on the deceased. At the same time, the protagonist's friend also discovered the truth of the crash. It is a bit ironic that the protagonist accepted the case of killing someone by himself, and the investigation and monitoring section More exciting, can feel the heart of the protagonist. Then the second climax was the corpse hiding the bomb. There was an infernal muzzle head here, which made the protagonist look handsome and amused the villain No. 1, earning enough face, and the van drove away after that. The tension of the protagonist, the relaxation of Kaiyuan, and the tension of reversing the car tug at the heartstrings again and again, which is really exciting. Finally, the passionate shirtless at the protagonist's house is also wonderful. But what is incomprehensible is the ending. A policeman has done so many things, and the last one wants to take care of his life, but he has given him a treasury of money. Is this really good for propaganda movies?
There are several impressive points in the full text. One is the dog. It appeared many times, but it didn't work. It may be a metaphor that the protagonist bumped into someone and was seen by others. Second, after the car exploded, a bird landed on the water, implying that the villain No. 1 was not dead, and finally the fish tank at the protagonist's house, the fish in it represented two people, the fish were in the water, the people were in the whirlpool of events, and the last bullet broke the fish tank It also said that the fish died and the net broke, but I didn't expect that the protagonist had nothing to do! I can't understand this. Is it okay to run into people and run away, hide bodies, blow up cars, and finally shoot and kill? Can you explain it to someone? Fortunately, he finally surrendered. The audience will feel that his life is very worrying when they see this. It is better to surrender, then jump out of the movie to watch now, and be glad that you are a law-abiding citizen. This is the warning effect of this type of movie! I thought this was the end, this is the end of the protagonist, I never thought that he would be fine, and he also got a lot of money from the villain, so he was preaching that there is a good ending for bad things? ?
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