I have to say that the title and content really match well. The male protagonist starts off with various recitations, and later he is harassed and threatened by phone calls. If there is no super psychological endurance, people will really be driven crazy.
I want to praise the screenwriter of "Going to the End", a brilliant script
I would also like to like the clips and music, the fast and slow cuts complement each other, the music is baked, and it hits people's hearts.
I have to like the photography, all kinds of running and messy play, hard work
Thanks to the director for presenting such a film.
"Going to the End" - Korean-style movie of Hollywood product.
This movie is really compact throughout the whole process, the performance is brilliant (Li Shanjun's always-on acting skills), and the clues are connected, creating the reality of a dream. The only shortcoming is that the evil of the villain police is covered with the corruption of the government in the end, and the ideology is not strong. However, I think the purpose of this film is not to express its artistic ideas, it is the entertainment of popcorn and the enjoyment of real dreams.
First, a thread draws out a net-like narrative, leading the audience, and the plot is compact.
Third, the man is in a hurry to attend his mother's funeral.
Fourth, the male protagonist's police team was checked for corruption and bribery.
At the beginning, so many clues were introduced, and they were introduced through phone calls, but why didn't they play and feel stiff? Because the transition of the editing is amazing!
It's such a wonderful conflict at the beginning, if you haven't watched it yet, go watch it!
Second, the editing transitions are great
Here is an example:
Prop sound transition: When the male protagonist's police team is being inspected, the inspectors are smashing the male protagonist's cabinet, the sound is loud, and the male protagonist on the other side is intercepting the shot of the police officer who is drinking and driving.
Vocal transition: The male protagonist is forcing the dead man's friend to learn that there are important items on the dead man, and drives to the car. The voiceover is the narration of the dead man's friend. tight plot
If you want to know more friends, just go and see
Third, the film is a Hollywood play, divided into paragraphs, each scene has one suspense point or a lot, and the small stimulation points in the suspense are better.
Example:
1: The male protagonist tries to hide his body in his mother's coffin in the funeral home. Conflict points and suspense points are very good, attracting the audience and stimulating nerves. The doctor outside the door checked - found something strange - called the surveillance - went to get the key - opened the door - found the male lead; the male lead was carrying the body - made a sound - the body was blocked - the male lead found that the doctor was coming - - open the coffin - move the body - cover the coffin.
The most attractive thing here is the conflict setting of time - the arrival of the doctor and the completion of the male protagonist; the second thing is the interruption and discovery of the process - the male protagonist is blocked in the completion process;
However, a passing movie will handle this scene well, but it is wonderful to be able to leave clues to the development of the plot in a scene - this scene leaves a melodious and harsh ringtone.
Fourth, the spatiality of character editing is powerful.
This can be seen in good movies.
Example: 1: When the male protagonist goes to check the dead and returns to the collision spot at the beginning, the spatiality of the editing is presented. The male protagonist walks to the location of the dead man - the traces of the panoramic brake - the close-up male protagonist's expression - the middle shot crouches - the voice suddenly interjects - the male protagonist's close-up expression - the panoramic view and another police officer comes to check - the front and back hit two people Chatting - speaking of surveillance, you can know the murderer - close-up male protagonist - panorama two people - panorama and other police officers came.
Such a loose and tight spatiality makes the audience's heart beat with it, non-stop.
There are similar passages: the male protagonist was almost found out when he was watching the surveillance video; the male protagonist was harassed and threatened by the villain policeman for the first time at the police station; the male protagonist killed the villain policeman by the water While holding a gun and waiting to confirm his death...
Fifth, film photography and music cooperate with the rhythm of the film to drive the plot and render emotions.
The music is the kind of suspenseful and thrilling music, from small to large, it is a surprise and stimulates the nerves.
The photography is mostly shaky and partly tilted, in line with the dark temperament of the film.
Six: Actor - Lee Sun-kyun
Please see his performance in Hong Sang-soo's film - the literary male god.
Seven: The crowded housing steps of the Korean drama crime movie + running the red light and chasing the car in the urban area + family threats + shaking and beating in a narrow place and abuse scenes...
Eight: Can you not be in the black government, the ending is really unsatisfactory!
View more about A Hard Day reviews
