As for where the one-star deduction is deducted, this stems from my genuine psychology of watching animations and movies. Misaki has the ability to distinguish who is the dead, but she did not use this ability to cause so many deaths (it is mentioned in the animation that she knew who the dead were but didn't say it), although I can understand Misaki's various psychology and The author's creative needs, but I can't accept this kind of artistic plot psychologically.
Closer to home, my praise for another mainly lies in the design of the script. This kind of plot design of reasoning, suspense and horror is very suitable for my taste, and the pit here is well dug and buried. At the beginning, I thought that misaki is really " A person who doesn't exist", after knowing that Misaki really exists, looking back on the previous plot, whether it is Heyuan's words or the behavior of the squad leader, it all implies the existence of Misaki. The director inadvertently laid a good foreshadowing. The words of grandparents, the time mentioned by father and even the words of parrot all pointed the finger at Lianzi. But why do audiences rarely think of pity? A large part of the reason is that the author misleads the audience into a wrong way of thinking (the deceased is a student in the class). Although this is a very common technique in mystery novels, it is not easy to use it in animation and achieve good results.
As for the ending, I have always liked this kind of dark ending. Human nature should be like this. Fear of death is the instinct of human beings. Under the approach of death and the loss of important people, blackening is also very normal, just like the world. The hatchet and Yan Ye's NICE BOAT seem absurd but reasonable. Kazami, Akasawa, and Takako are sad but hateful.
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