Export the fire of kung fu

Domenick 2022-12-29 22:55:08

In recent years, I seldom watch Hong Kong movies, and occasionally I watch mostly movies that claim to be a bailout or a return to tradition. Lao Du's films are still concerned. Others, including "The Wounded City", which was released last year, only have a unique narrative method, and other novelties can't be talked about.
"Fuse" was an accident, because I watched "Slaying the Wolf" unexpectedly and felt surprisingly good, so I had a small expectation. Fortunately not disappointed.
Aside from the lame plot, the martial arts design is quite innovative. The confrontation between the real kung fu and the hard bridges and the horses is very distinctive. Donnie Yen has also designed many novel moves very creatively, so that the real kung fu that uses less stand-ins can not lose the brilliance of the gorgeous kung fu of the martial arts films. The brilliant effect produced by such a design is naturally inseparable from the excellent interpretation of the actors. They were born in martial arts, and they have also served as martial arts. However, the gorgeous two are not indistinguishable, because their bodies are too similar, and there seems to be a little bit of inability to take into account the handling of martial arts. Looking at the whole series, Zou Zhaolong's brilliance is still suppressed by Donnie Yen. Looking back at the confrontation between Donnie Yen and Sammo Hung at the end of "Slaying the Wolf", there is a splendor that complements each other.
Since the plot is really nothing to watch, a character appears suddenly, and the character is abrupt, so my mind always drifts to other places, such as the technical level, and then I find a surprise. The editing of this film is very smooth, although there are many ups and downs, it is difficult not to feel sharp. Just like taking a car, the same car, the same journey, the quality of the driver determines the comfort of the passengers. Some drivers like to stop in a hurry, but OK is not dangerous enough. Sadly, they often feel sick. Recently, I have often encountered such drivers, so I have more personal experience.
Also want to say is the actor's performance. I have seen a lot of writing about this movie recently, and they are praising Lu Liangwei's scumbag for his excellent acting skills. Thinking about it, it is really ironic. For Lu Liangwei, who has won the best actor with the movie "The Lame Man", such a role is really a pile of dishes. Today's yellow flower does not mean that acting is like this. The most impressive scene, the scene where Brother Slag asked his inmates to call him Brother Slag in prison, was really arrogant. Gu Tsai's performance can only be called quite satisfactory, because the character shaping in kung fu films is often neglected, and most of the brushwork is left on the surface. Especially for Gu Zai, who had Shang Jia's performance in Lao Du's movies, except for his unskilled kung fu, this role is not very difficult. The director is very kind to Gu Zai. In this movie dominated by hot-blooded men, he even gave him the only vase, and there was also a short bed scene. Make people envious. If only a beautiful woman can become a vase, Fan Bingbing deserves it. Every appearance in the film is beautiful, and even on the sickbed there is still a kind of simple beauty, which makes people want to pity. In this man play, Bingbing is like a fresh chrysanthemum, exuding an elegant fragrance.
I just saw the news that the box office of the film has broken many records. It seems that many viewers still think it is good. Little hope, let the fuse lead to the fire of kung fu.

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