Wen Ziyuan sat in the front row, dressed like a cowherd and signed autographs for everyone. The movie begins.
I won't go into detail about the story. The content of nearly 4 hours is very compact and rich. Compared with the bloody violence of the later works, it is still a little fresh, but I suspect that for about 1 hour, I was watching the panties flying all over the screen, ah... A little tired. It can be said that I yawned and watched it constantly, but I don’t think the movie is bad. On the contrary, I like what the movie shows. It’s just like hell, the cult movie’s expression really doesn’t make me fully immersed in it like watching some other movies. . This makes me feel amazing, but it just allows me to calmly understand what Wen Ziyuan is going to say in such a long and winding way.
So let's talk about the content of the topic.
あなたはなのをWhen てにして爱をめっているんですか?
This is undoubtedly a movie about the pursuit of love, and in the process of pursuing love, different people from different backgrounds, with different cognitions, are doing the same thing in different ways. The pure male protagonist of adolescence (I don't know if it can represent the male group) regards "erect" as a criterion for verifying love, a kind of precious gift reserved for the only maria さ ま. Of course, in reality, whether boys can really get an erection for only one person and treat it as love is not discussed. At least such a male protagonist is quite natural and cute in my opinion. The father became a priest after the death of his mother, a priest who was afraid to let go of love and was confused about love, but the priest was not allowed to marry but met a crazy woman who expressed her emotions so terribly. . A son who is neglected by such a father naturally does not know how to love. I met an inexplicable candid filming group, so I found out that the woman who made me sexually aroused was love. People can't help laughing, but they admire the straightforwardness of the male protagonist. Mandao Hikaru's role is because of the ghost father (although the camera did not show incest scenes, but the father clearly expressed his sexual impulse towards his daughter, so he is also considered a ghost father) and began to reject all men. This setting is also a very typical young girl, but The girl's situation is exaggerated and the fight is fierce. The girl fell in love with a woman named Scorpion who helped her fight, but she didn't know that Scorpion was actually a woman dressed by the male protagonist. The girl found that she liked the scorpion very interesting. She thought about this woman called scorpion day and night, and she started to feel a heartache, and then she started masturbating while fantasizing, and when she suddenly woke up, she felt that it was love. The girl awakens her sex from the feelings and thoughts of her heart, thus awakening her love, which is in sharp contrast to the male protagonist. This sounds like a general difference between men and women, at least I think the general public should be that way. The director seems to be more traditional. The third woman, the character of Ando Sakura, wears all white clothes from beginning to end, and carries a bird pet with her. The girl in white has a black belly and is all-powerful. This is not to be discussed. Her father always whipped her to make her admit that her body is pornographic and sinful, so she slowly began to deny and reject all people and things related to sex. It is filthy, and one should be pure and pure. But at the same time, she is the most contradictory character. She can't fall in love with the male protagonist by herself, or is madly jealous of the male protagonist's strong feelings for Mandao Guang, and she will do anything to grab it. The girl in white should be the one with the most childish personality. Why do you say that? She actually has two pets. The one in front was killed by her father, so she raised another one that is exactly the same. ,this It should be an evasive attachment. She only wears all white clothes, loves her pets very much, is very possessive and will do anything to get it... These are all self-protection mechanisms and treat people like children. She has been protecting the pure little girl in her heart, feeling that that is the way of existence recognized by the world, but she cannot resist the problems of sex and love brought about by growth. Finally, I saw that the male protagonist tried his best to save Hikari Mandao, but he never looked at himself once and chose to commit suicide. The samurai sword pierced through his body, and finally Sakura Ando, who was no longer pure and white, did not know if it was at the end. Moment finally confessed to himself the desire for love and sex.
Love is always holy, but sex is lewd and even filthy. It is truly amazing that such a universal cognition has been formed by human beings. But it is precisely because of this contradiction that this story exists, and although this story is exaggerated, it really tells the mundane reality. Who is not walking in this smoky world, maintaining a detached relationship with the instinct of shame, and at the same time trying to get close to the purest and holy love. Try to approach the perfect infinity with the frail human body. This behavior is the cutest and most precious in my opinion.
At this point in the film, I think it's quite enough. In the last paragraph, the female protagonist saves the male protagonist who is in a mental hospital. The two can finally love each other frankly, end. In the end, Nishijima saw his erection in the mirror again, so he instantly recalled his love for the heroine, and then rushed to chase it out. It's really... a good adult pure love movie. . . Seeing the last paragraph of the male protagonist's run with a strong bgm like a storm, I have to remind me of Hasegawa's similar run at the end of "Hell". After several years of practice, the director has obviously handled the "hell" run well. I don't know how many times. To know how long Hasegawa ran + how long the ending song was, I cried for a long time. Japanese drama running is really a powerful tool to advance the climax of the ending, but I have only seen two Wen Ziyuan works. Are both of them too clever at the end of the running or is the director too fond of using this weapon? Kind people who have seen other works please help me judge?
There are a lot of details about religion, family, and common sense in the film, so I won't go into details here. In 2008, Wen Ziyuan had too many things to say and had great ambitions. In this nearly 4-hour movie, he said it in a very organized manner, and it wouldn't make people feel crazy and fragmented. This is really very impressive. admire. At the same time, a movie that wants to tell you everything in one breath is also like a male protagonist who is dedicated to the heroine. The director's enthusiasm makes people feel the impetus and idealization of an ambitious young man, but at the most critical point The details of some emotional expressions are more restrained than "hell", which also reveals the shyness of a young director. I think that's why the ending of "Hell" moved me so much, but the ending of love exposure was less emotional. If love exposure gave me rational thinking, then the "hell" a few years later moved me. I think this is also because the director has a more mature grasp of the film.
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