In addition to the color, the composition of the film is also good. For example, in the black-and-white segment at the beginning, the son admonishes the mother to use the double shot in the same frame throughout the whole scene, and the visual emphasis is on left-right symmetry, which clearly shows the position of the two. opposition. There is also the big vision and the S-shaped composition of the father's appearance, suggesting the twists and turns of the two's emotional road, and this expression appears twice in the film. The black-and-white part of the dialogue scenes mostly use established shots, panoramic display, and do not use conventional front and back shots. The camera has a strong objectivity and is only responsible for recording. It is not until the color part that it begins to intervene in the narrative, which seems to be more like intervening in the mother's personal world field. . The more brilliant part of the editing is that one is the process of the mother waiting for the father, and uses the superposition to show the passage of time; the other is the superposition and sound editing at the end. There are two contrasts in music: the cheerful music when the mother meets the father highlights the joy in the mother's heart; when the father is classified as a "rightist", the music turns bleak and mournful, showing the sadness of the mother.
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