Just like the same type of "posthumous text" letters brought by the deceased, or resentment, or thanks, or curse, or blessing. The world after death is a group of boys and girls who left regrets when they were "born". They resent the injustice of "God" to them, can't let go of the pain in their hearts, stay on the edge of "life and death", and refuse to leave. go.
Like Ma Zhijun's male protagonist, Otonashi is a little bit like a neighborhood committee auntie who can take care of his "nosy". (In reality, if there is such a boy, it will definitely be a hot item! Anyway, if I meet him, I will definitely grab it and go home to be the husband of the village.) When Yin Wuwei's dream of ending one is desperate, tears slipped quietly from the corner of his eyes and went straight to the pillow. (Yes, I was lying down and watching)
Hinata's confession, the knot disappeared.
The brothers and sisters who have been side by side have disappeared before my eyes, distressed, very painful, and painful when twisted. But after the pain, he will smile and say, congratulations. Wishes come true, let go of the burden, and can be reborn.
We always look at death from the perspective of life; this time we turn things around and we see rebirth in death.
It's a pity that the film has only thirteen short chapters, and there are too many details that are not expressed. Why don't you use Kyoto? I don't like the company's coloring this time. The color is too dazzling. All in all, it's a good movie worth watching.
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