As for the analysis of pictures and musicians, I don’t know anything about it, and I have no right to speak.
As far as feelings are concerned, Pause for a while and glance, the signs of collapse worthy of criticism are so obvious.
The first time I looked at it blindly, I felt that the turning point was abrupt and the development was too violent. There are also several places.
The framework of the world is not full enough, and the definition and the one-size-fits-all cover are given to people who feel inexplicable and meaningless, and can be understood by anyone who knows the language.
There are no logical contradictions.
There are too many ambiguous places.
The characters are displayed too one-sidedly.
Just 13 episodes buried too much personal black history.
Soft like a lump of mud spread on the ground.
There are so many possibilities that you can add new elements to adapt another story to the point where the plot twists, shocks, and even weeps all over America.
Think about the title again: Translated into Chinese, it is "Angel's Heartbeat" or "Fighting Angel". The
latter as a theme indeed runs through a main line, but as the plot unfolds, it becomes a not funny joke.
I can't help but think, what are these characters who say they are human and the others are NPCs doing on this world stage?
Cursing, showing off muscles and fists shirtless, singing and teasing, at most making some dust, and then hysterical red eyes, thick blue veins on the neck, and the pain of holding back until death, one sentence plus one night, all smoke Scattered and relieved, into light, reincarnated.
It was like a child who put down the harsh words "I will never talk to you again" in the afternoon before - it took only a minute for her to get tired and crooked again.
childish.
Hence boredom by extension.
Those who can criticize are eloquent, and give examples to set off a failure.
Not rational enough. The whole article is like the hallucinations of the delusional patients.
They thought they were dead. Based on memory.
They see this world as a world that cannot exist without resistance. Disappearing people become evidence.
Their mouths are full of malice for the existence of God, and they seem to be able to raise their kitchen knives to face POLICE.
And what will happen to them about where they go after disappearing, just because they are afraid of the unknown, so there is no actual proof guess, disappearing is about equal to reincarnation. And clinging to such a straw tightly, immersed in the illusory imagination.
In the end, it voluntarily disappeared like air with nothing left behind.
Just like the office worker who is hopelessly lying in the garbage heap after losing his temper and throwing up after being drunk. During the day, he endured the difficulties of his boss, and when he returned home, he complained and hated the boring and trivial troubles of the family.
It's like repeating the game all day long, addicted to animation, and criticizing the perverts who curse the world and the middle school students who make people hesitant.
AB is just putting these complaints on the table, like the camera is pointed at the garbage corner and then motionless, and a pile of garbage that will be more rotten and deteriorated at any time is presented to your field of vision.
I gave them a CV and said something about "thinking about the beginning", and they were transported away and burned after a little bit.
When the camera is switched again, it is the wisps of blue fog and the silent blue sky, which strongly express to you that the world can be so clean and beautiful.
Just like those clowns who are labelled with scars and who are gradually unable to make fun of them, leaving the stage sadly, holding on to the ambiguous and foolish characters of the past and passing by.
Just like Chaplin who was astonished to see the famous pantomime actor in the troupe frowning, looking gloomy and melancholy.
If you use it once, it will be tedious to ponder.
Unscientific, taken for granted, chaotic, and sometimes almost shameless subversion.
Such an animation produced in modern times that pursues the objective authenticity of the scene and action, while ignoring the rigor of the storyline itself, with prominent contradictions,
But it shows its unique expression and thinking language.
This is just an animation.
As a creative product of consciousness, part of YY must exist.
Yet it is still a work.
The precondition for it to be rebutted and criticized is that it is accepted by the audience.
At the very least, people who have watched all the works whose freedom to choose not to watch at any time is in their own hands, and who have at least admitted that it is a work, not just a product formed by turning a mold upside down, have a deep heart. , definitely have a love for it.
Let's discuss the remarks that the 13 episodes are too compact, general and empty, and the acting is too general.
I just love that it's 13 episodes - so, it's totally a kindergartener who decides who wins and loses by attitude and momentum.
Because many of the "God" works I have seen are so easy to accept as 13 episodes, so what's wrong with 13 episodes, what a good number - this way, it seems too intellectual.
If, as you said, the length of 24 episodes is made, someone will definitely come out and accuse AB of being wordy, long and slow like a running account, which is even more boring, useless, harmless, and speechless.
——If you talk about it for PolyU based on this, you will definitely be sprayed with your thoughts, "We believe in STAFF" (the point is to believe in the big devil).
Here, by the way, "I don't believe in love anymore", such a wildly circulated sentence is combined with the social reality of "I would rather... cry than... laugh" on the Internet, and once again quoted Can the "trend" of the new era of "laugh at the poor but not at the prostitute" can be disproved - the classic numb general attack that has been repeated, repeated, and exhausted?
If the expressions of regret that belong to this model are told one by one, some people may become numb and laugh from ear to ear.
And those who think this statement is superficial and the equation doesn't hold can guarantee that even if I interpret a rich story, I will not be annoying, and I will not complain "Look, the bull's head is wrong, 'angel's heartbeat' or 'fighting' When did the title of Angel's echo?"?
Students who thought that they should focus on fighting scenes in order to represent "Fighting Angels", and continued with more than 10 episodes of various fierce and heroic battles, are naturally no problem.
In episode 13, the story left too many pits, so that people scolded "pit father"; but that was enough.
The biggest hole is filled. In other words, the hole that I wanted to fill at the beginning and that unfolded around it was filled, and that's all that the feature film wanted to say.
The protagonist plays the full play, and the supporting actors make cameos as clips. The story is so reasonable.
The story of the supporting role can be sentimental, and the heart is longing for freedom, but just like a person can never keep a passerby to accompany him or leave him, he or she cannot make a story a story.
This was originally a story that could be told in twenty seconds.
The cause is explained, the result is explained, and the blandness of the process is actually irrelevant.
Who is the angel, and whose heartbeat belongs to the angel, there is no need to say more about ten people and ten righteousness. The heart refers to the heart of the organ, or the heart of the soul and spiritual meaning, and it is up to the ruler to discern.
So, 13 episodes might be too long. The purpose of playing the episodes that did not need to be introduced is to pave the way, and also to divert people's attention in disguise, but maybe it is from another angle, just to reflect the heartbeat of the angel in the love that exists in everyone. It seems gloomy In the past, it was a carrier of belief, dream, hope, etc., but there was a treasure like "love" embedded in it. So, to express the intersection point with speciality, I have to say that 13 is also a sufficient number.
You don't have to look carefully to see that on the night facing the decision, the characters who are not the protagonists have used various backs and actions to tell all those past events.
Although we can't forgive "not being able to make it clear", etc. and many flaws in the animation structure that cannot be criticized, but the arrangement of the story by the protagonist - the supporting role - the protagonist has long been a foregone conclusion, which happens to any individual The story must go through the process.
Even if there are so many things, my likes have been pointed out at the beginning.
That paragraph when Yuri suddenly stood up in the classroom, and then firmly said "This is my life" with tears in her eyes, was the motivation for me to finally mention my perseverance and write such a long pile of immature words.
So like, select "Recommend".
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