I haven't read the comics, but as a zombie drama, it has a very innovative point - desire produces monsters. I don't know how the infection spreads at the end, but I think it's better this way, no one knows who will become a monster and when.
I came to write it after the second brush. There are a lot of things I want to say but I can't finish it. I only want to mention the points that I care about this time. There is an episode called Warrior. The NetEase Cloud comments of this song are all about the priest. The first time I watched it, I noticed this song completely in the part where the priest sacrificed, but I only found it the second time I watched it. It appeared at the beginning, but most of the audience didn't notice it, indicating that the song really fits the character of the priest. As we all know, a good bgm is part of a good drama. Sweet Homeland has achieved a little, but not the ultimate.
The second time I watched it, I paid more attention to the male protagonist, what kind of boy he was, and what happened to him. He locked himself in the room to protect himself. He hated his father, his mother, his sister, and everyone. He didn't want to expose his feelings to anyone, but he stepped out of the room to save the two children. The picture of him walking out of the room is emphasized, which may be a foreshadowing. After being full of despair in this world, he is still willing to re-enter the place he desperately wants to escape in order to protect others, which is doomed to be protective.
I just clicked in to write a review and saw that someone gave one star, of course it is possible, just like I give five stars is completely my own standard. In fact, I think the editing confusion is a bit deliberate. At the beginning, there were two camps, upstairs and downstairs, and it was understandable to cut them separately; after everyone went downstairs, the big time line was complete, but the local time was not so detailed, because in part Draw characters. When encountering a sudden and devastating disaster, it is of course necessary to describe the characteristics of the characters in the panorama, but it is absolutely impossible to fully display the characters of everyone at the same time point, so there are small "dungeons", various Broken fragments, maybe there is no timeline, in fact timelines are not very useful, but the character profiles are well done, heavy and light, thick and thin, so that when any one reaches his end No matter how the audience feels about this ending, it must be taken for granted and in line with him.
To add, some people say that it's the end of the day, and a bunch of people are still reporting to the group to keep warm. I beg you, in the face of supernatural killing monsters, fear, weakness, and escape are human nature and the most appropriate response. A hero does not become a hero because he is not afraid, and Iron Man does not finally agree to participate in the war because he can easily let go of everything. This is all living beings, and someone must stand up and become the spear and shield of mankind. As for the fighting scenes, it is even more funny. When did the amount of fighting scenes become the standard for judging zombie dramas? Looking for a fight scene in a work that clearly focuses on depicting human nature, do you want to find a nun in a monk's temple?
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