Director: (British) Karel Reitz
Screenwriter (adaptation): (British) Harold Pinter - absurdist drama "Birthday Party"
Author: (English) John Falls
The creation of the film language of "The French Lieutenant's Woman" corresponds to the profound thinking on its concept. The film completes the transition between the current story and the past stock market with the succession of the film language, showing the original novel's intention to use modern concepts to care for the relationship between men and women in Victorian times. The French Lieutenant's Woman also uses this cinematic language to frame its cinematic structural relationships: past and present are cross-contrasted, and by the end of the film, reflections on the fictional storytelling of the past and the actor/protagonist's real-life love dilemma lie in the The protagonist's heart is completely one. In this way, the film language of this romantic film has the significance of the play.
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