relief

Cathryn 2022-10-08 03:18:56

The film progresses in the interlacing of time and space, and the feelings of the actors and actresses are entangled inside and outside the play; difficult choices, true and false feelings, and elegant male and female protagonists make this film extremely attractive to me.

Sarah, played by Meryl, has been imprisoning herself in the role of the weak, the outcast, and intolerant of the world that she has set, unable to extricate herself and unwilling to extricate herself. She deliberately threw herself into the work of a mistress who kept her servants as slaves, she did all the things that worldly and orthodox people could not bear to do, she indulged in the pain of the past, and enjoyed all that it brought her Feel. Perhaps, she is waiting for an opportunity, an opportunity to fully convince herself to jump out of the prison, to use one person and a force to complete her beautiful turn and complete her transformation.

And off-screen, she finally let go of the relationship that was destined to never bear fruit, and returned to her normal life line.

At this point, the story ends. Unfinished, is a trace of melancholy, and thinking.

People must save themselves first. No one can keep you imprisoned in your past, except yourself; no one can help you make a gorgeous turn unless you want to; no one can help you break free from your own shackles unless you break it from the inside first. You are the fear in you, accepting yourself, and everything in your past, saves you.

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Extended Reading

The French Lieutenant's Woman quotes

  • Sarah: Do what you will or what you must. Now that I know there was truly a day upon which you loved me, I can bear anything. You have given me the strength to live.

  • Charles Henry Smithson: This isn't mistletoe, but it will do, will it not?

    Ernestina: Oh, Charles. Oh! Oh! Oh!