relief

Cathryn 2022-10-08 03:18:56

The film progresses in the interlacing of time and space, and the feelings of the actors and actresses are entangled inside and outside the play; difficult choices, true and false feelings, and elegant male and female protagonists make this film extremely attractive to me.

Sarah, played by Meryl, has been imprisoning herself in the role of the weak, the outcast, and intolerant of the world that she has set, unable to extricate herself and unwilling to extricate herself. She deliberately threw herself into the work of a mistress who kept her servants as slaves, she did all the things that worldly and orthodox people could not bear to do, she indulged in the pain of the past, and enjoyed all that it brought her Feel. Perhaps, she is waiting for an opportunity, an opportunity to fully convince herself to jump out of the prison, to use one person and a force to complete her beautiful turn and complete her transformation.

And off-screen, she finally let go of the relationship that was destined to never bear fruit, and returned to her normal life line.

At this point, the story ends. Unfinished, is a trace of melancholy, and thinking.

People must save themselves first. No one can keep you imprisoned in your past, except yourself; no one can help you make a gorgeous turn unless you want to; no one can help you break free from your own shackles unless you break it from the inside first. You are the fear in you, accepting yourself, and everything in your past, saves you.

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Extended Reading
  • Kiarra 2022-05-07 06:01:04

    ①The subtle class relationship between the declining aristocracy and the emerging capital upstarts; ②The discussion of feminist topics is in line with a certain lesbian movie that is far better than last year's fire; ③-Why don't you go to London to live a new life? -If I go to London I know what I will become, I will become Lyme. Some people already call me. I am fragile, I am guilty. You can't imagine my suffering, I can only be at ease when I sleep. The nightmare started when I woke up: how am I, how am I not Miss Freeman! Not jealous, but not understanding. ④In 1857, it was estimated that there were 80,000 prostitutes in London County. One of the 60 houses was a brothel. At that time, the male population of London was 1.25 million, and prostitutes picked up 2 million visitors every week. ⑤The best background for the workhouses, poor women's laboratories, and brothels is the cloudy sky and night in London. ⑥ Once a tutor is unemployed and driven out, he may become a prostitute.

  • Dock 2022-05-07 06:01:04

    It seems that Guan Jinpeng’s "Ruan Lingyu" form innovation appraisal is going to be lowered. The effect of the play is not only to superimpose and integrate the two stories, but to separate the audience from the audience, making it look at the "French Lieutenant's Woman" from a distance. This story has become a tool to promote the emotional process of male and female protagonists in "reality". Although the time of "reality" scenes is less than that of "movie", "movie" time reversely shows the process of emotional development of men and women in "reality" The extremely detailed and natural, this special technique is extremely wonderful. When these two stories are viewed side by side, the sense of change of the era is highlighted. The strict religious rules and secular gaze of the Victorian era contrast with the hidden lingering emotions in contemporary emotions. The nature of the former highlights the criticism of the era. The asexuality of the writer portrays the bitterness of unspoken love. The contrast between the happy ending of the "movie" and the tragic scene of "reality" at the end also distinguishes the difference between the screen and the reality, while the plot of the "movie" and the plain writing are scarce. His "real" life also proved this.

The French Lieutenant's Woman quotes

  • Dr. Grogan: I am a young woman of superior intelligence and some education. I am not in full command of my emotions. What is worse, I have fallen in love with being a victim of fate. Enter a young god. Intelligent, good-looking. Kind. My one weapon is the pity I inspire in him.

  • Dr. Grogan: I have known many prostitutes. I hasten to add, in pursuance of my own profession, not theirs. And I wish I had a guinea for every one of them I have heard gloat over the fact that their victims were husbands and fathers.