This is more real and almost the same. Although the country is different, it is deeply attracted by the plot. Enen Mengji is really stable and ruthless, and once again uses a video dagger to pierce a series of social problems in Romania: the pressure to go to school, the back door of the college entrance examination, the doctor taking bribes, and the security worry. Chinese indifference, extramarital relations, too. Unlike the old work (432), it is condensed and concise but uses a lot of side details to build the image of an anxious middle-aged man to show how to survive in such an environment.
There is no waste at all, and the natural light hand-held long mirror has a strong sense of substitution. The main competition impresses me the most. The photography is awesome! Immersive handheld photography is a very new wave. The script is sharp, starting from a simple story, but it keeps getting bigger and bigger like a snowball, making ordinary people fall into the quagmire, unable to extricate themselves. The social problems are revealed layer by layer, but it makes people daydream: If I were the male protagonist, most of them would do the same. Which should you pick? The burden is getting heavier and heavier, but the ending is light and bright. I must praise the photography again. The scene of chasing the gangsters at night is even scarier than the horror movie.
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