"Thinking how to escape from the catastrophe of thinking"
"If happiness is hard to come, hope will spread, and we only feel happy before we are happy"
Before the disorder, seeing the mountains as the mountains, Natalie looked on in a philosophically constructed life and belonged to young radical liberalism; one after another, the books of her husband, mother, cat house, and even the male students who were in harmony began to disagree. Therefore, seeing that the mountain is not a mountain, finally completes the complete freedom of the self in the contemptuous Zizek-style chaos, with a sense of self-deprecation; the child is an antidote, a call to rebuild the social role order. Looking at the mountains or the mountains, hope is more satisfying than owning, returning to the unfree middle-class life with my grandson.
Many people have seen Rohmer, and I think Rohmer's presentation is far lighter than this, and it doesn't mean that heaviness is bad. On the skin, Rohmer hates bgm, and it is rare to see a variety of shots. More is a record of restraint, but I think the bgm used here is very suitable, and the hand-cranked lens is also very suitable for Natalie's calm and prudent inner spiritual world. The only similarity may be the smoothness of the narrative and the switching of scenes, but it always feels far-fetched to insist on connection. This is the life of the French.
It's the kernel, some gods are similar. They all experienced a double escape or disorder of spirit and body, and then finally returned to the order and rationality of reality. It's just that the film's disorder is more realistic (real?) and more "mainstream" in meaning.
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