The buildings are brightly colored, the wires and billboards fill the sky, the expressionless crowd, and the roaring sound of machine operation. Jumping and tumbling in the space divided by buildings, this is a world that is not governed by the rules of the adult world. This animation is full of a strong postmodern atmosphere. Black children or adults who madly invaded their territory with iron rods, narrowed their eyes like a white cat and fell silent in the imaginary world, and made weird laughter when Black fought. And there's a nest full of treasures - a scrap car. A world of fantasy and freedom only for children. White's infinite dependence and trust in black, and his instinctive sense when black is in danger. On the surface it is always black that violently protects the fantasy white, but the events of those times when black loses white can prove that in fact it is white protecting black. Black and white are mutually opposed and interdependent. Black and white are meaningless. Black and white are two sides of a person. When black encounters danger and injury, white feels more fear and pain than black himself. Finally, when this film can give you a glimpse into the instinctive tyrannical possession of the childhood that you lost in the process of growing up, and the fearless and unrestrained state. There are too many compellations in the adult world, and when Kimura shot and killed the rat, it should be more painful than killing himself.
Bai said: Money made of paper is more powerful than iron.
Bai said: Peace of mind and peace of mind
. Hei said: Rest assured, no one can destroy us.
Bai
said: Chocolate and Kimura are like China playing Brazil.
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