I don't know if this was an inevitable encounter or just a chance encounter. The homeless never imagined when the car ran over a leg, and at that moment, the grim expression from pain was passed by this female homeless man who was about to go blind. Pen recorded.
Is this the so-called destiny, no matter how time passes and how things change, Alex still sees this painting after all, he uncovers the shabby clothes on Michele's face who is still sleeping, this sleeping woman does not Unknowingly, a vigorous love was already burning in Alex's heart. Alex wrote: "If you love someone, tell him: 'The sky is white', and if that person is me, I'll answer: 'But the clouds are black'. That way we know we love each other." .
I don't know if Michele really loved Alex, they drink, get drunk, find each other's happiness on the new bridge away from the world, in the ecstasy of fireworks and gunfire. They were running naked by the sea, cuddling each other to sleep, and maybe all Michele needed was a body to keep each other warm, so she said to Alex again and again, "To me, you need to be patient, we know It's just your story, and when one day I tell you my story, we'll have sex again."
However, the whole movie is about her, on the contrary, we don't know Alex's story at all, so she shows her Sadness, her loneliness and loneliness, whether she is laughing or crying, she deliberately recalls Alex's love, which can be seen from her hug with the old tramp Hens, and then she admits that she loves Alex, but She herself did not want to admit it.
Michele's love for Alex has always been vague and uncertain. Maybe, she doesn't love him, he is just someone who is looking for happiness in her lovelorn, self-exile and depravity. Therefore, when she knew that she could see the light again, she was very clear that she did not belong to this decadent and desolate new bridge, let alone him, so she decided to leave. Go back to normal life and be the colonel's daughter. She ruthlessly wrote "I never loved you..." Such decisive words. Maybe from the beginning, he was just a passer-by in her life, or maybe it was just that she thought he was just a passer-by to her.
And Alex's love is hopeless. When he removes love and has nothing, his love will be pure. The director strips life to the point where only love remains, and love is never born, never forever, when it is lost, it is really lost.
In the film, I am not only touched by love recently, but also by life itself, the new bridge that belongs to the night, the home of three homeless people with completely different backgrounds. Two very different beings danced together far away from the world. The other, on the sidelines, joins, disappears. Those tremors and unease from life all stem from the thirst and despair for love.
There is a lover in everyone's heart, they wander, all in search of.
The flickering lights and shadows in the film are gorgeous, beating, and beautiful. They are connected with the humble life, meet, accommodate, and do not distinguish each other. They become the essence of life - fleeting beauty, unmanageable time. They shine on those who have no home.
I really like the beginning of the movie, a melancholy and dull cello, a long underground passage with blue lights, as if to indicate that this is an uneasy love story.
The change of music is the highlight of the whole movie, and the beautiful fireworks give the two a stage to indulge. The music goes from soothing to joyful. Michele danced his body unscrupulously, running, crazy. . . . . This is a scene that left a deep impression on me. I always feel the happiest in the realm of ecstasy, ignoring everything around me. What does it matter what a world is like to wake up?
So when Michele and Alex were leaning against each other on the bow of the sand carrier and disappeared at the end of the Seine in a way that wanted to fly, the light music sounded. Let Paris rot! All we need is pure love.
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