Under the tension of high-profile shooting is the over-excessive formalism, Reivew on Rosetta

The high-profile shooting tension is over-excessive formalism - Hollywood in the 1950s handled it in a natural, real, appropriate way... Like They Shoot Horses, Don't They? . Hand-held photography is bland and tasteless, and what it embodies is a kind of "author"-style executive imagination. It's also monotonous and unconvincing just on topic.

Now that I'm talking about all-or-nothing, I'll just say one more thing: that film incorporates social context into the narrative, while Rosetta lacks -- but, I don't see how deeply it digs into the hearts of the characters. This is not a reference to the new wave of decades ago. What is the retelling of the times? This "respectable" retelling is utterly tedious. Geez, it doesn't even have a bit of Jansenism flavor, how can it be offensive?

This seemingly down-to-earth movie is actually malnourished and has no appealing power.

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