"The Samaritan Girl" is known as a prostitute director in South Korea, because he directed three prostitute-themed movies, which profoundly and cruelly exposed the dark side of human nature and Korean society, so although Kim Ki-deok has an international reputation Noisy, but South Korea is mostly critical of him. The Samaritan Girl is one of them, and it is still the unique style of religion and redemption of the golden style. The film is divided into three paragraphs of narrative. The first part is the Buddhist Posumito. There was a prostitute named Posumidah, it was said that any man who slept with her turned into a devout Buddhist. She gave them ecstatic sex. It awakened some people's deep-seated motherly love, Men are like babies when they have sex. From now on you call me Posumita." The Flower Adornment Sutra says that if there are sentient beings who kiss me on the lips, they will be free from greed. Therefore, in the first part, Rong Jie betrayed her own body, but instead it symbolized the behavior of Buddhist Po Xumituo to use her own body to transform sentient beings, with a strong religious meaning. The second part is Samaria. In the biblical story, the Samaritans were rejected by the Jews as a heathen in the time of Jesus. Only Christ accepted her and her clan, so the Samaritan girl symbolized being saved and accepted by others. After Rong Jie died, Yi Jun found those men before and slept with them. The act of returning Rong Jie's prostitution money to them was redemption and acceptance. She awakened the souls and consciences of those men. Sumida is completely different. The last part of the film uses an image - Sonata, in the category of music, sonata means sonata, in the dream of Yijun by the river, she was killed by her father and buried by the river, and her father brought her The background music of the headphones is a classical piece of music, "Nude Dance". This film does not contain many naked and bloody images, but it is very heavy after watching it. If the desire of men is the source of sin, then the desire of women is the desire of redemption. Victim and carrier. Originally, I thought that according to Jin Ji Deok's previous style, my father and Yi Jun might die together, but this ending is better than the closed ending, with a little more thinking about reality and a sense of powerlessness!
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