The origin that cannot be returned is constantly being reincarnated in new ways.
The gloomy depression was my first impression of this film, and the virgin smile of the clean face has always been a mystery in my heart. While watching the movie, a little thought about art arises. The beauty of art does not need to ask the cause and effect. The depths of the cloud and fog always make people curious. Or slowly push aside the clouds to explore, or stop and leave behind a mysterious beauty.
Death is the end and the beginning of life. This life will become dust, and the red dust of the next life will come again.
Jie Rong's death is Yi Jun's rebirth. She started paying off her debts from the end of Jie Rong, washing away the filth step by step, wanting to return to the beginning of purity. As everyone knows, it has caused the beginning of the father's revenge. Yijun's debt repayment ends when his father kills the last man. At this time, Yi Jun's lines became more and more, and the interaction with his father became more and more. She seems to have become the lively little girl at the beginning again, and the father and daughter also show warmth. It's just that there is still a gloomy and cold tone behind the warmth. They have long been lost in the fog of redemption. The last quagmire trapped the struggling soul, and the lingering blue smoke covered the advancing eyes.
The films directed by Kim Ki-duk always have a foggy feeling, indistinguishable, incomprehensible, and incomprehensible. I think real art is just as fantastic.
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