The film mentioned Posumi, Mary, and Mother Teresa. For men, relying on Jun can heal the pain in their hearts like them. She inherited the name of Jie Rong, which also symbolized that she became the resurrection of God. She comforted those sinners who had despised one by one, and gave them the money that had been purified, so that their desires could be found in the pure body of the youth. forgive.
But this God was loved by her father, who hated her for loving him as well as other sinners, so he became God's agent, and the forgiveness of sin suddenly became revenge. He madly punishes guilty people and makes them live in guilt. (The man in glasses is driven to commit suicide by guilt) Ironically, he is a Christian himself and a policeman who represents secular justice.
The test of the Maiden God lies in whether he can surpass the brutal "agent" who symbolizes the father's power, that is, whether his love for others can surpass his love for individual people, and whether forgiveness can surpass the test of sin and punishment. In the dream, she was killed and buried by her father, away from the sins of the world, and became his exclusive god. A dream is a subconscious wish. This dream reflects her attachment as a human being, hoping that she will still be the girl who is attached to her father, who will be gently awakened by his earphones and music every day. But in reality, her father turned herself in and left her after she taught her to drive (before she unwittingly fiddled with the steering wheel, implying her repressed desire to escape from her father). Sinners who love God renounce their agency and confess their sins. (This obviously also involves the sin of desire for a daughter) The parting scene is in Kim Ki-duk's favorite water, an image of a new life being conceived. Yijun finally fell to the ground and drove after her father, but the car died in the quagmire. She stood on the vast ground in grief, like the coming of God.
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