The director's masculine stance, finding justification for the composer's vile behavior - a conflict before.
The subtlety of the oriental style, through the dressing scene of the recording studio, triggers the audience to speculate on the emotional way of the characters in that situation.
The symbolism of the choice of the metaphorical subject of the girl makes rationality in an absurd background; the more rationality details are used to express a more absurd value system, the more confusing and appealing it will be, while creating drama. The presence of the father in the second half greatly strengthens the reality, layers and depth of the story.
There are a lot of blank spaces, the composer's meanness only uses one look (this look is actually very sincere and magnanimous, naked and not excessively wretched), Jie Rong's smile before jumping off the building, a victor or a savior? The handling of the death scene It's not too beautiful, it's cruel and a little stiff, it's not as fun as "Made in Hong Kong" and the beauty of "Spring Reappearance at Zero Celsius".
It is not as pure as "Empty Room", but it has a strong Korean flavor, and the tension is written in calm warm gray (Jin seems to prefer the gold-blue contrast, which is a strong oriental subtle beauty); the formalism of "Empty Room" theme is different from The decorative sense of the picture complements each other. In contrast, the picture of "Sa" is a bit too classical and rules.
I haven't heard the original sound, which is a pity. The rhythm of the film is not very good, and it is obviously boring, while "Empty Room" is more rhythmic, so it will have more commercial value.
"Sa" has a strong preaching atmosphere, and the director lacks enthusiasm for youth. As for the Eastern people's views on traditional culture and traditional values, it is estimated that only the Japanese are more decisive. Externalization, the attitudes of other regions are relatively introverted. .
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