They are all evaluating the quality, feeling, logic and subject matter of the movie. . Has anyone thought that these have something to do with the folklore of Zao, this is not all used in Zao, and it has not been fully used. We do not lack material, but we lack creative exploration and innovation. Chinese films still have a long way to go, so we can go slower. The ancestors left us with a lot of things to follow, and we need to study them slowly!
Add a knowledge point. The Ten Halls of Hell are the ten controllers in charge of the Ten Halls of the Underworld according to folklore. The ten halls of the King of Hell are named as follows: King Qinguang in the first hall, King Chujiang in the second hall, Emperor Song in the third hall, King Renguan in the fourth hall, King Yama in the fifth hall, King Biancheng in the sixth hall, King Taishan in the seventh hall, and King Yan in the eighth hall. The King of the City, the King of Ping in the Nine Halls, and the King of Wheel Turning in the Ten Halls. Because of the separation of the ten halls of the prefecture, hence the name.
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