It's like it was shot specially for foreigners

The peculiarity of this film is that it is narrated for the sake of narration without instilling any worldly values ​​and judgments. Everyone is free to do whatever they want. I don't know if it reflects that Japan's social welfare is quite good and quite tolerant. My mother was still alive, and I didn’t communicate much unless I lived; my father left his wife and daughter and his lover and ran away, and the children lived carelessly. In the end, he went to the funeral generously; he invited his half-sister to live at home, saying Come as soon as you come; the eldest sister is quietly being the lover of a married colleague (this part is too restrained, and uses a lot of small details to express it. I can't believe that dating can be so reserved); the second sister keeps changing men Friends; the third sister and her colleague, the store manager and uncle, are ambiguous together; all the people are in harmony.

Although it is a movie of four girls, the director seems to like Haruka Ayase more. She plays the eldest sister who portrays the fullest character and has the most scenes. She is a character who expresses in detail in all aspects of work, life and feelings. The quarrel with his mother is also the only character conflict in the film. Nagasawa Masami is still the signature sweet smile, but unfortunately the nasolabial lines are too deep! The close-up looks a bit scary (Nagasawa still needs an injection, or he can't beat Yui Aragaki). I really didn't see that the third sister was played by Xia Fan... The shape of the meatball head showing her forehead completely highlighted the shortcomings of her long face, and she was full of gums when she laughed. Not to mention the little girl, she is absolutely a beautiful girl, with a child flower head and school uniform as standard, and finally she made a yukata shape, which is perfect.

During the two funerals, the four had obviously different attitudes. When the biological father passed away, everyone was as calm and calm as if nothing happened; but only the death of the proprietress of the place where they often ate, everyone sincerely mourned and even cried.

The four girls often walk side by side in skirts together, with very different figures. Nagasawa's legs are the most beautiful, straight and long, while the other three have thick and curved calves like typical Japanese girls, which is a pity.

The house they live in is estimated to be fifty or sixty years old, and it does not seem to be inconvenient to use. Very well maintained, the bathroom tiles are only slightly peeling off.

The movie uses a lot of Japanese labels. In summer, fireworks displays, yukatas, cherry blossoms, seaside, trains, curry, shrines, cemeteries... Personally, I feel a bit unconventional.

Still prefer to keep walking.

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