I watched Sesame Sauce's legs the whole time (bushi, it should be a few years ago. My friend said that I saw tears when I watched "Sea Street", but I didn't even watch the first ten minutes, so I couldn't say anything about Hirokazu Koreeda. Interested. Today I rewatched it, in addition to staring at Ma Jiang's long legs (cough cough), I changed some views on "Sea Street". It is the tranquility and freshness in Hirokazu Kore-eda's films, and it has the simple landscape in Hou Hsiao-hsien's early films. Taste, that is: an ordinary and diligent family who was troubled by the trivial matters of life, and finally looked at life by fishing in troubled waters (scratching his head). It is no wonder that Hirokazu Koreeda went to the Golden Horse Awards last year and said, "Hou Hsiao-hsien is my father." But there are One point clearly distinguishes the characteristics of the two-person film: Hou Hsiao-hsien is more inaction, since everything is the law of life and nature, then go with it. He does not provide solutions, but like his long-length shots, Just follow and wait and see; it is Hirokazu-eda that is different. Even if he is fishing, he finds a solution. And the most important thing is that he likes to stab you when you are in the warmest bed. It's like luck My sister and her boyfriend were discussing about going to the United States to study, and her boyfriend suddenly said, "As long as you come with me, I will divorce my wife immediately." That kind of unexpectedness made people unable to recover for a long time: Sister Xing also lived to hate her. When it comes to parents, the identity of "mother" in "Haijie" is constantly changing. It can be a biological mother, a relative who takes the initiative to take on the responsibility of motherhood like Sister Xing, or a small restaurant proprietor. A mother with a certain "motherhood". "Sea Street" focuses on the description of three types of mothers, and points out the complex mentality of women in emotional problems - only to the point, but the text seems to be veiled, and there is no more The detailed analysis is extended to show the respective reactions of girls, girls, and women. : Like but keep silent, like but harbor guilt, like but don't explain. In "Sea Street", women are far more mature than men. You think they are just blindly indulging in gentle fantasies, but in fact they know everything, They have gone through everything, but they still choose to make mistakes without hesitation. They are more decisive, persistent, stronger, and more believers in love than men, whether in love or in life. But I still can't talk about whether I like Hirokazu Koreeda, but I don't hate it either. I just have a prejudice against his way of covering up the problem with a little freshness and handling it tactfully: since you raised this question, why do you treat it so gently (and you are not as inaction as Hou Hsiao-hsien).
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