It started at 0:00 one night and saw midnight in one breath. As early as when I watched a live-action movie, I sighed the reason why this story can still be remembered to this day - the character and the background. The character design of Kenshin is one of the best I've seen in the anime so far. Maybe this is actually better than the movie. 158 is not as tall as a soldier, but a 28-year-old adult man is a female voice actor. But so what? It's just such a Kenshin, I saw a group of stories that started shouting a few times and watching the barrage of the male god. After watching a few episodes, I couldn't help but praise. The most superficial first reaction was: even if md is not a teenager or a female seiyuu, even if Kenshin is not as high as the heroine 2, he is still handsome and crying. The last time I didn't think he was so handsome that he cried because of his appearance was Marlon Brando's old godfather. Although he was young, um... he also had a face that stunned all beings, but can anyone dislike Al Pacino in appearance? !!!! No! Regardless of gender! Going far, Kenshin's excellent character design can be called precipitation and lightness in my personal opinion. As for the quality of the reminiscences, I was not disappointed. The character design and background are where the whole Rurouni Kenshin shines, and the memory plays better. The main text of the animation tells the story of a swordsman whose past beliefs in life have collapsed after the advent of a new era, who has found a new path and moved forward on this path. And "Remembrance" is about the turning point of the old and new eras. The torrent of history engulfed this little swordsman. He developed his life beliefs and the process of changing his beliefs. Oh, this is the so-called Meiji Swordsman Romance Tan. Here is a semi-fictional story in the second half of history presented in a serious way. The sound of the sword piercing the body is clear, first the skin and blood vessels are cut, and then the blood splatters a slightly harsh sound, and the bones are cut off. The sound, and finally the sword-like action of the executioner drawing the knife, is frozen in the petals, raindrops, and snow, with a Japanese-style beauty in uppercase italics and bold. It seems to have pulled a bunch of other aspects that have nothing to do with the background of this character. As far as the plot is concerned, it's actually a bit of a story. Approaching revenge, pretending to be a husband and wife, falling in love in life, and finally ending with life and death, a typical tragic routine that can no longer be textbooks, but because of the brilliant characters, the background of the times and the lines, this story is made. The most outstanding part of the lines, or the most despised and most pretentious is the lines of Master Jian Xin, but it is also what this story wanted to express at the beginning. As for the words of the four seasons that seem to be idle, but together with the scenery, it runs through the whole process of this work. The scenery of the Rurouni Kenshin is really the best scenery I have ever seen! [In fact, it's been half a year since I read and recalled these words, because at that time I hadn't figured out my exact feelings about it. I suddenly thought of it just now, and I can't wait to talk about it. That is, the real [good] part of this work is that it can present the national character and aesthetics of Japan to a certain extent (add "a certain degree" for those who have a strong desire to survive). Haiku, Snow Country and East Yingwuai, talk about the history of Japan. Even "The Life of the Disgusted Matsuko" has the most distinctive character pointed out in "Chrysanthemum and the Sword". Indeed, Benedict said that it was the chrysanthemum and the sword. In "Reminiscence of the Rurouni Kenshin", it was Xuedaiba and the executioner who drew the sword, Baimeixiang and the bloody storm. The character of Jingmei's sadness mixed with extreme fierce cruelty.
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