"Love and Other Disasters" classic fashion romantic comedy

Timmy 2022-04-22 07:01:48

The heroine is the female editor of British Vogue, a thoughtful, dedicated, urbanized independent woman. Carefree personality, completely unaware of the attraction of her beauty to the opposite sex, subjectively causing a lot of misunderstandings. Caring for friends unreservedly, seemingly avant-garde in life but emotionally self-protective, taking the closeness of love and the opposite sex as possession and aggression to guard against.

The heroine's dressing style is the Audrey Hepburn style in the 1960s, which is also a highlight.

A classic love theory appeared in the film. A psychiatrist explained that "farts are the best measure of a relationship..." It sounds funny, I don't necessarily agree, but it is definitely an innovative development!

Here's what the psychiatrist said:
relationships are best measured by forting. stage1 is the conspiracy of silence. this is a fantasy period where both parties pretend they have no bodily waste. this illusion is very quickly shattered by that first shy "did you fort?" followed by the sheepish admission of truth. this heralds a period of deeper intimacy-fart honeymoon, where both partied found that the fart by other is the cutest thing in the world. but no honey last forever soon we reached the critical fork in the fart, either the fart loses its power to amuse and embarrass, thereby signifying true love or else, it begins to annoy and disgust, thereby symbolizing all that is blocked and rancid.

Only regret, the ending is rather sloppy. Maybe it's conveying an idea, enjoy the process!

View more about Love and Other Disasters reviews

Extended Reading
  • Lois 2022-03-26 09:01:12

    Jacks and Paul are cute and yearn for this kind of relationship between life and the characters in the movie

  • Louisa 2022-03-26 09:01:12

    Hahaha. Orlando Bloom actually came to make soy sauce.

Love and Other Disasters quotes

  • Emily 'Jacks' Jackson: So stop living your life like you're in some kind of a movie.

    Peter Simon: Excuse me?

    Emily 'Jacks' Jackson: Stop trying to cast your true love instead of just meeting him.

    Peter Simon: When I meet him, I'll know.

    Emily 'Jacks' Jackson: I'm not so sure. Love isn't always a lightning bolt, you know? Maybe sometimes it's just a choice.

    Peter Simon: Well, that's easy for you to say! You're flying to Argentina to meet the love of your life!

    Emily 'Jacks' Jackson: That's just it. I don't know that Paolo's the love of my life, but I've decided to give him the chance to be. Maybe true love is a decision. You know, a decision to take a chance with somebody, to give to somebody without worrying whether they'll give anything back, or if they're gonna hurt you, or if they really are the one. Maybe love isn't something that happens to you. Maybe it's something you have to choose.

    Peter Simon: So what do I do?

    Emily 'Jacks' Jackson: Well, you could start by putting all of those fantasies of true love where they belong, into your work of fiction.

  • Emily 'Jacks' Jackson: ...We can't have you all alone in London on a Friday night.

    Paolo Sarmiento: You make me sound like an exchange student.