What killed Jin Funan? Her daily life is full of unimaginable pain, despised, insulted, raped, and beaten, but Jin Funan endured it. Even we often see her showing a simple and honest smile. Her simplicity and forbearance can actually make her in this kind of Living in the environment for a long time, you may end your life like those old women, but tragedy still occurs, what is the fuse? There is no doubt that it was the death of her daughter. The sudden death of her daughter made her sad, but she has not collapsed. What really broke her was the selfishness and indifference of her friends, so the critical point finally broke through, so Jin Funan killed others and also killed himself. . In fact, this reason does not seem to be sufficient. Perhaps the loss of friendship is just the last straw that breaks her down. However, if this is something beyond friendship, if this is a deep love, then this is also Not surprisingly! In the film, Kim Funan's description of Haewon's feelings is actually not subtle, but it completely fits Kim Funan's character. If Jin Funan's helpless surprise, enthusiasm and meticulous care can be regarded as the reunion of old friends when they first met Haewon, then the scene of taking a bath in the mountain spring has already revealed the corner of love, and the love between the ears and the temples has been revealed. Bargaining, Jin Funan smiled so happily, even touching. She is longing for Hae Won, Hae Won's beauty and independence, her clothes will make her stare and sigh, she takes care of Hae Won, protects Hae Won before the massacre, and even helps her in a coma Cover the quilt, and finally in front of her crazy husband, she said, "There's nothing to be afraid of at this point, just sorry dear", and her dear is Hae Won. Well, the final confession is here, and there is no doubt about love. There are many memories interspersed in the film, the recorder is a token for Jin Funan, and Hae-won teaching her to play the flute is the best memory in her life. There is a detail in the film, Haiyuan will carefully wipe the flute used by Jin Funan, but Jin Funan directly put the flute used by Haiyuan into her mouth, Haiyuan asked her if it was not dirty, she just smiled shyly. The most important thing in the memory is the mischievous kiss that became the starting point of this relationship, but then Kim Funan was knocked out in order to protect Hae Won (connected to the later plot about the gang rape and the birth of a daughter), which shows that this one-sided pay How deep is the relationship between Jin Funan and Jin Funan's final tragedy. Although smiling and dying in the arms of his lover, this kind of bridge is vulgar, but the letters picked up from the trash cans at the end of the film make people feel emotional. In each letter, the crooked handwriting expresses the most important meaning And the most sincere heart - "Dear Hae-won, I miss you". The name of the movie is explicit and a little scary, watch it without any prompts Finish the movie. There are some small surprises after careful aftertaste. The film begins with a woman being beaten to death by two street gangsters. As a witness, Hai Yuan still chooses to remain silent after witnessing the photos of the woman's tragic death. The director spent almost half an hour telling us that Haiyuan is a woman with a story. Her indifference towards the tragedy, her impatience with the widowed grandmother who came to the bank for business, her suspicion of her colleagues... It was not until she returned to the island where she had lived for fifteen years that we slowly began to glimpse her indifference. and saw the protagonist of the murder, Funan, a woman who was ravaged by life. The director spreads Funan's shabby life on Haiyuan little by little. The name of the island is No Island. There are only three men on the island. One is an old man who is too old to understand the world. The other two are Funan's husband and the other is Funan's brother-in-law. The two were silent, like beasts. Five other women and a small child are self-sufficient on the nearly isolated island, with no TV and the only phone locked in her aunt's closet. The director savagely satirized those ignorant people who advocated strength, advocated masculinity, and the inferiority of male superiority and inferiority. Those old women are always repeating a sentence: you still have to have a man to live. And generally at such moments, Funan is doing the work that men "should" do by the side, and everyone turns a blind eye, or pretends to care about Funan. Here, the humility of women even wants people to say cruel words like "you brought it on yourself". No island is more like a place approximating primitive society outside a highly developed society. Here life and dignity are maximally ignored, and everything is relegated to the strength of men, both sexual and labor. Old, weak, sick and disabled women firmly believe that this is a man's world and that only men can bring happiness to their lives. And what the director showed us is really like this, the husband hits Funan when he raises his hand, and kicks when he raises his foot. The uncle is more like a beast who knows nothing but gender. In them you don't see the ethics and humanity of human evolution. Funan relies on his daughter. So when the reliance was gone, she suddenly found out what the sun was saying to her. The swing and fall of the scythe are very powerful, and Funan's revenge has no expression or hesitation. The aunt saw the men returning by boat at the last moment of her death, and she firmly believed that the mad woman in front of her would be retributed, because the man she had believed all her life had returned. But this male power was dramatically shattered in the short time that followed. Funan licked the sharp knife facing her coquettishly, and sucked the oncoming fingers, the man put down the butcher knife in ecstasy , Fortunately, he did not become a Buddha on the spot, but died in his own original impulse. When Funan left Wudao and set foot on the shore, she met a person in the civilized world that she had never met before, and she sighed: There are such kind people. The poster of the film freezes when Haiyuan and Funan appear in the same picture for the last time. Funan seemed relaxed, while Haiyuan was terrified by the sudden death. Back in Seoul, she appeared at the police station and re-tested the street gangsters who brutally murdered women. She was no longer the Haiyuan she used to be, so when one of the gangsters rushed over to choke her, she calmly took out a ballpoint pen from the pen holder and prepared to fight him. Haiyuan, who has experienced so many things, can already bear any weight, but the only thing that can't bear is the so many sentences that Funan once wrote to her: I miss you... Funan finally raised the scythe in his hand. A vengeful woman in Korea The film industry has always occupied a certain weight. Jin Qiyong's "Second Girl" and Park Chan-wook's "Kindly Gold" all focus on the Korean women who have been suppressed for a long time and cannot breathe, and these women have lost their most cherished because of the eventual loss. something and chose revenge. The director's use of the island reminds me of Kim Ki-duk's "The Drift Room". Wudao is more like a small place in the depths of a person's heart. For the film, it is the ocean that Haiyuan can't get through. She was born here and spent her young years here. As a princess who has been hiding behind Funan since she was a child, she has a lack in her heart. Is this lack because of Funan? The film has been well-received since its release as director Jang Cheol-soo's debut. Although Zhang Zhezhu, who is under the tutelage of Jin Jide, is not as fierce and cruel as his master, such a cruel and violent method is enough to make people stunned. A woman who takes revenge with a scythe in her hand has always occupied a certain weight in the Korean film industry. Jin Qiyong's "Second Girl" and Park Chan-wook's "Kindly Gold" all focus on the Korean women who have been suppressed for a long time and cannot breathe, and these women have lost their most cherished because of the eventual loss. something and chose revenge. The director's use of the island reminds me of Kim Ki-duk's "The Drift Room". Wudao is more like a small place in the depths of a person's heart. For the film, it is the ocean that Haiyuan can't get through. She was born here and spent her young years here. As a princess who has been hiding behind Funan since she was a child, she has a lack in her heart. Is this lack because of Funan? The film has been well-received since its release as director Jang Cheol-soo's debut. Although Zhang Zhezhu, who is under the tutelage of Jin Jide, is not as fierce and cruel as his master, such a cruel and violent method is enough to make people stunned. A woman who takes revenge with a scythe in her hand has always occupied a certain weight in the Korean film industry. Jin Qiyong's "Second Girl" and Park Chan-wook's "Kindly Gold" all focus on the Korean women who have been suppressed for a long time and cannot breathe, and these women have lost their most cherished because of the eventual loss. something and chose revenge. The director's use of the island reminds me of Kim Ki-duk's "The Drift Room". Wudao is more like a small place in the depths of a person's heart. For the film, it is the ocean that Haiyuan can't get through. She was born here and spent her young years here. As a princess who has been hiding behind Funan since she was a child, she has a lack in her heart. Is this lack because of Funan? The film has been well-received since its release as director Jang Cheol-soo's debut. Although Zhang Zhezhu, who is under the tutelage of Jin Jide, is not as fierce and cruel as his master, such a cruel and violent method is enough to make people stunned.
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