It all started when she first landed on the island, the summer was long, a girl imitated beside her as she played her flute facing the sea, they became friends, maybe it was a joke, she kissed the island The girl on the island, but was run away when the following malicious boy tried to lift her skirt, the girl on the island protected her, but when she turned back, she watched her being molested by those boys, the sun was in the summer Repeated over and over again, containing sin and innocence.
Twenty years later, she is a socially standard woman living in the metropolis of Seoul, with indifference and staring eyes, she returns to the island, the girl has grown up, she wears old-fashioned clothes, watching The smile she always carried and the helpless behavior when facing her disappeared when she saw the aunt and the man on the island. Everything here was depressed from the beginning, the dull face of the man and the aunt of the man The harsh words of the aunt's sisters, the concurrence of the aunt's sister, the traces on the faces of the ravines are rigid and stagnant, this place is far from modern, still farming for a living, the idea of patriarchy has been passed down from generation to generation, the malevolence and vulgarity of men are interpreted Because of his childishness and innocence, women are also shackled by irresistible marriage, marrying a man who has raped her, like Jin Funan, or in other words, all men on this island have raped her, and she is married. Later, she was also raped by her husband's brother, and she was caught in a whirlpool, and she had to go to see her husband and daughter who returned from fishing like a dog. The daughter is the only expectation in her life, and she is looking forward to her daughter to get out of this Kojima went to school, while her aunt refused education for women. Her husband also acquiesced to his brother to rape her, and even sent prostitutes from outside the island to satisfy his desires. He treated her like an object that could be beaten and lived like a dog. He was always in a male-centered position. For him, he deserves the praise and praise of "a place must have a man" on the wall. He can't see Jin Funan repeating the cement floor on the ground, and the praisers such as Aunt and her sisters can only see Jin Funan's laziness and despise her labor. For them, women are weak and bullied, and they can only admire their beauty and strength, and his brother is also a Looking at a woman is like seeing a piece of meat, which can be bitten and humiliated. Jin Funan's suffering is not only brought by men, the aunt and her sisters on the island are also accomplices in the patriarchal society. They please men, but they are harsh to women. , to maintain the hierarchical order on the island. For Jin Funan, her dry and painful life may only be the friendship of Hae Won and the hope brought to her by the prostitute who served her husband. The prostitute came here for twice the wages The island, in the process of getting along with her, proposed to go to Seoul to get rid of this hopeless island, she still wanted to leave with her daughter Xiaoyan, until she found a child's erotic lingerie when she was packing her clothes, when she rushed into the room When she saw her daughter using nail polish and sunscreen, Xiaoyan lived in such an environment that she might be disciplined to please her father when she didn't have a mother, and her father would touch her and force her to be sexually abused when she didn't have a mother. She is terrified of her father's role because she has faced her father beating her mother many times.
She has always belonged to Ehae Won, when she was bathing in the well water, when she pressed Hae Won on the bed, or when Hae Won was drugged by Tiejong who only had sex in her mind and tried to rape her by pushing the door to protect her, but Hae Won was in Witnessed and fled when all the conflict broke out the next day.
Everything was tormenting her when she was stepping on the tombstone, and when she was digging potatoes in the fields, so she took the hoe, killed the onlookers, and watched the pedantic and indifferent and harsh aunt fall off the cliff step by step , and was excited about the return of the male character just a second before the fall because he saw the ship coming. She cut off Tiejong's head and killed her husband, smeared miso on her husband's body, and her accomplice who had helped her push back to hell in the escape was also drowned by her in the water, and the only one who escaped was Hae-won , After everything was covered up, she put on Hae-won's dress and dressed herself up with makeup, and in the end, she killed the incompetent law enforcer and the spider in the traditional kinship society, when she was wearing bloodstains When rushing to Hae-won, she saw the broken and repaired harmonica in her bag, she forced Hae-won to play the song again, and after being pierced by the sharp break of the harmonica, she fell on Hae-won's place. Her arms listened to her playing the melody of the past. Jin Funan, who had been deprived of the past by the patriarchal society, died. She had resisted, but in the end, everything remained silent.
Jin Funan is the experience of countless women in the past. She can happen at any time, in the isolated and ignorant rural society, in the high-rise buildings, in the dirt on the roadside, and also on the magnificent floor, those women who are blinded by humiliation The collective memory is slowly revealed with the perspective of the film. In the history of mankind for thousands of years, there have been countless Jin Funan, some of whom have become bystanders, some have become rebels, and some have been immersed in the mud, hidden in time. In a patriarchal society, everyone is misogynistic, unable to escape the shackles imposed by the environment, and we were once onlookers, but when we notice the profile of the movie advancing into life, or at a certain moment, we will find that society The exploitation hidden in the rules, at the end of the movie, Hae-won went to the police station to testify against the man who insulted the girl on the street, and in the letter that Funan once gave her in the trash can, she saw that Funan had written countless misses. You, the profile on which she lies, is like the outline of an island. Just like this land, women have been ravaged into a silent shape. The complex historical reasons behind this cannot be repeated. They have been kneaded into the appearance of being stared at, staring, staring for a long time.
View more about Kim Bok-nam salinsageonui jeonmal reviews
