The national teacher transcends its own aesthetics and elevates it to a new level of sublimation.
Ink and wash, the oriental aesthetics under this theme always ends, whether it is art, photography, or a series of elements such as music, clothing, modeling, etc., the visual experience expressed by the overall restrained style may be in the films of these years. Only "Assassin Nie Yinniang" can stand out. Even if this kind of Chinese classical aesthetics is just an empty shelf in the eyes of many people, it is just a pretentious gesture used by the film to support the form, but in any case, it is generally rare and worth spending. Qian went to the cinema to appreciate the level of the big screen, the national teacher's visual perception has always been ahead of others, and this time it has completed a self-breakthrough.
The plot is actually not complicated. It is a dark drama of intrigue, success and failure, mutual use and calculation. The design of reversal is dedicated to dramatic display, and it is also about expressing the fission of human nature in the environment.
Deng Chao is unexpectedly good, Zheng Kai's best performance in his career, Sun Li is still excellent, Hu Jun plays, Guan Xiaotong and Wu Lei's lines are quite awkward, and the last scene ends abruptly, with a design, like a piano song, the reverberation lingers around the beam, attracting people Ponder.
View more about Shadow reviews
