(Why every time I write a short review, the number of words will exceed a little bit...)
I'm so tired, the narrative is indeed a bit procrastinated, the motives and relationships of the characters are unnatural, and there are too many irrelevant elements and the themes seem loose and weak.
But there are advantages to just evaluating elements and individual themes, and it would be better if you could focus on saying "loneliness" or "loss" of one of the themes. What impressed me the most was this heroine. In terms of her external identity and motivation, she was really inexplicable, but her wild and wild way of living and her lonely but flexible heart still infected me through various details. Even pretending to be Freud shouldn't be too harsh on her. How can a girl who has not had a father since she was a child can't be curious about the opposite sex, and how can she not eagerly expect praise from the opposite sex? Her posture looks really comfortable to me. It's not that kind of skinny deer, it's more like a robust antelope. She's agile and powerful and runs all over the hillside. Coy attitude: If you follow her hair, of course it's good, if you don't, she will run away at any time. I will cry because I take on the parting too early, but no matter who is leaving, it is a sunny day when I turn my head and wipe it away.
Natural life, as it should be. Her reconciliation with loneliness is actually reconciliation with the life she has lost in her arms.
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