Although I saw some shadows of Hayao Miyazaki's style in this anime, I can't deny that this is a good-looking anime. I watched this movie a long time ago, and when I brushed it for the first time, I felt that the heroine was really good. Very Zuo, about Yagotai, I want to go back, the teacher wants to save his wife and the heroine and go with him inexplicably, and then he was used by the teacher in various ways on the way, and finally became a substitute for the teacher's wife, really... Today I brushed again With new feelings, Shun, who didn't care much before, although very gentle, is a very brave person. For the earthly world he yearns for, even if he knows the ending, he will go without hesitation like a moth to a flame. This is also like the spirit of the heroine, and there is a kind of unspeakable loneliness, just like when saving a little girl, although he was also in prison, he still did not hesitate to save the girl, although he knew that the teacher might not be an absolute good person, But they will still help him when he is injured. They have always been choosing to do what they want to do and what is right. At first, the heart was also for the task, but later he became such a person. He is actually a strong supporter. People who want to be strong always raise their voice inexplicably when they speak, as if to cheer themselves up. In fact, he was also very sad when his brother left, but after seeing Tomorrowna crying so sadly, he dared to cry. He knew that he didn't have to save Asuna, but he still chose to save her, and that was the beginning of his transformation. In the whole drama, the teacher is a very selfish and purposeful person. Because of his wife's affairs, this is also his biggest obsession, so he has the courage to climb down the Finister that everyone thinks he can't climb. La, although I gradually felt the warmth in the process of getting along with Asuna, but it was also the pain of being pulled back to reality by obsession. I remember the elders of the village once said something like this, life and death are a small part of a big festival, who can let the teacher understand that the teacher has been blinded by obsession, and can only see the past, not the present and the present. In the future, I shouted when I used a knife to destroy Geweisi in the heart of life and death. The important thing is the living people. I think this may also be what the author wants to express, just like the heroine in the play many times. Cheng Shun, but the heart is the heart and the instant is the instant. They are two completely different individuals, and the person who has been with you on the road is the heart.
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