The suspense comes silently, very Ou Rong
Tongzhou is the land of loneliness, and Haidian is the land of sadness. The close-up jumps to the frontal medium shot, and the three shots are taken during the meal, which is very telling. A character about Franz, McGuffin always has to cut into the memory, close-up, and then gradually pull in to the close-up, out the soundtrack, the operation is quite satisfactory, not bad black and white to color, shy and warm, can describe a person like this , is probably the kind of person who wants to express himself but stops talking, wants to laugh but doesn't dare to laugh. Regarding the two options for the dance, starting with absolute interests and points of interest is the most important thing. It’s a bit expressionist and I can’t stand it. This kind of deception is not explosive enough. The only point is to understand the dead. To understand by deception, then after understanding, you must use the information to make a fuss. There are still bright spots, using colors to create falsehoods to convince the audience from outside perspectives (although he guessed at the beginning that he would say that he killed) Wait for the second flip, the second flip is full enough, and it is exciting enough to lie. The ritual that must be imitated becomes pain (so the theme of the film is lying?) In fact, all the films use audio-visual language to deconstruct words, show behavior and emotions, and interest comes when the structure begins to be symmetrical. After being hit, she experienced destruction, and after the destruction, she changed greatly, and she would not break free from his hand. Reject Cruz, accept Adrian, reject Adrian and accept Cruz, the ring structure of this hand is worth learning. Bringing him back is actually a transfer, passing on the love of the son to the people related to the son, from a selfish point of view, this is a compensation mechanism. The cold eyes of the Germans towards the French were completely reversed at this time, and the structure was full. Lights out, flashing black, is a good clip point. The scene of the Marseillaise is very similar to "The Great Phantom". In fact, so many structures are a bit deliberate, but the Marseillaise is really much better than the German national anthem. It is the best national anthem I have ever heard. It's not enough to change the volunteers, because the melody of the song itself is almost meaningless... Using Monet's painting as a hint is a good move, suicide, then why do you say that you killed yourself? Use painting, poetry, ah, It's best to make a hint, especially laughing and saying that he likes it the most... Then the content of the artwork is that the content of the artwork is extremely scary. Ou Rong is not talented, but it is good enough. For vulnerable people, there should be no indifference to lies or structure. Anyway, it's actually a love movie. As a love movie, the force is already very high, and the deep meaning of the knife is hidden. When you fall in love with the new person, you don't know if the old person is irreplaceable. Again the circular structure, equally unplayable, makes envy the eternal truth, let her know your worth. Not worth it for Franz. The sense of dislocation of the shell is very important. When the suspense starts, it is gradually discovered that it is a love movie with a suspense shell, and it is replaced little by little. "Suicide" makes people have the idea of living, weaving lies to support the meaning of the ending is average, even deviated
Deception seems to be really important, it can make people live in constant phantoms, and I just received the news of a thunderbolt, just a few minutes after watching the movie ~ based on this, I really want to give 5 stars , it seems that life is always so magical, my experience is exactly the same as what happened to Anna at Franz's house ~ 4 stars for the film, 5 stars for the emotion.
Knowing who you care about is the primitive desire of human beings. There may be no difference between lies and reality.
As if the real is gray, and the fake is full of color.
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