The main reason why a person is fooling around is that he has not yet figured out that the "name" and "real" of the world do not match, that is, he has inappropriate illusions about the world. Once this illusion is shattered, the person is called "mature" because of it. That is to say, from a detachment from the outside world of society, it is accepted into the center of the world. Of course, just as the entropy of an ordered system is fixed, she can no longer swim freely, but can only do a series of orderly activities according to the needs of the world and society. In this case, people are in a sense not worthy of the name. She was laughing, but was that a visceral expression, or an embellishment that society, the observer, needed her to make?
The story also speaks to power asymmetries in a way. The dominance of the man over the woman in the relationship of the sexes, and the possible domination of the mother over the child in the relationship of the mother and child. It's these details that are best left undiscussed, very difficult to discuss, that somehow determines the way all people live in this world, or "entropy" as I said earlier.
There is no witch in such a situation, but if a woman takes advantage of these "names", the vicious revenge becomes a witch.
Of course everything will change eventually, and even when the change is manifested, the core of some revolutions has long been written in the distant past. But how many could have been happy, and those who sought change were consumed and ruined their lives. Or, revolutions and changes come fast enough for a person to see both in their promising years. But what is he? In the face of change, he has become an old man who cannot play the leading role or heroine. This kind of time dislocation is even more terrifying.
Of course the last case is another story.
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