When you are exhausted, you always like to lie down and watch a movie. Watching most movies, you just need to sit there and let the seductive seduction in the movie, or the deterrence of the bullets, or the sudden threat, the movie will come out like this, tease you, stimulate you, massage you , satisfy you, you just have to sit there. Some movies are not. I sit on this side of the screen, the movie sits on the other side of the screen, you just sit and look at him, he just sits and looks at you, and you look at you. Quiet, quiet, cold, and warm. I don't know when, your soul is already on the other side of the screen, she doesn't have to come out to serve you, you are lured in, and you don't know why. Franz is one such film. Black and white, war, love. The director is very good at telling stories. He is not in a hurry. He moves a stool and sits down. He unfolds it slowly, with a neutral and unrestrained voice, but if you are caught at once, you cannot leave the story. The character of the movie is particularly distinct, just like the character of the male protagonist Rival, and also like the character of the hidden thread male protagonist Franz, which is probably the character of the director, shy and enthusiastic. So the black and white of the whole film and the color of the clips are also used wonderfully! Conservative, elegant and oppressive black and white shows the indelible haze that the war casts on everyone's heart. Only when the soul obtains a moment of peace and freedom, and the moving music flows from the heart to the fingertip strings, the picture Gradually warm into color, comfortable and warm color. There are many places where the music is still black and white, because the music does not resonate with the heart, it is just to cover up the embarrassing babble, this scale is just right. Massenet's "Meditation" is the most moving music in the film, drawing blood to the heart. 1. French soldiers killed German soldiers. 2. The French soldier finds the grave of the German soldier he killed, mourning and weeping. 3. The French soldier came to the German soldier's house and became good friends with the German soldier's parents and fiancée. 4. The French soldiers told the truth and left Germany. 5. The fiancée of a German soldier fell in love with the French soldier who killed his fiancé and forgave him. 6. The fiancée went to France to discover that the French soldier already had a fiancée. From the second point on, every turn sounds so unrealistic and absurd, and now in the director's entire work, you feel that everything is so real, natural, smooth, and unpretentious. This is the first-class master of storytelling. The ending is sad and regrettable. Sadness and regret are inextricable, because you have been trapped, your soul is already on the other side of the screen, and the exit has been closed, and you can't come back. Tragedy is a natural thing, and the scars caused by war can never be repaired. No matter how much sincerity and kindness there is, the ending will never make you happy. It's the only movie I've seen so far in my own cinema where I didn't press the next pause button, and in two hours of peaceful narrative, I fell in love with the French soldier fell in love with the German soldier, fell in love with the German The soldier's fiancée fell in love with the German soldier's parents. I also fell in love with the director. On such a night waiting for Typhoon Mangkhut, it is a very happy thing to watch a beloved and peaceful film alone.
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