Both repentance and forgiveness require a great deal of courage and strength. It is very rare for the hero and heroine to travel through mountains and rivers like this, and there must be a very deep inner strength of life. Although the film is mostly black and white, it sets off the gloomy, depressing monotony and the air of death of the war and post-war recovery period. It is curious that the love of those who fell in love with / fell in love with the dead enemy / comrade-in-arms fiancee / girlfriend, etc., is sympathy for sharing heavy moments? Is it because of the complicated emotions of love-hate entanglement that confuse the inner clarity? Is it because of such an indifferent and oppressive atmosphere that he cherishes the rare sensitive and delicate consideration, the scarce listening and the incomprehensible mutual complaints under the shroud of life and death? ...from Frantz's parents encouraging fiancee Ana to go to Adrian, to when Adrian's aunt asked her what her relationship with Adrian was, Ana choked and denied, "We're friends" and blinked, and aunt raised her eyebrows. A meaningful ambiguous smile appeared on his eyebrows. At around 1:32:56, Adrian Rival's fiancée asked sharply, "The one we love can never be replaced, right?" Anna turned her head to look at Fanny in surprise and avoided: "I don't know." And walked away and sat down. When Anna went to France to find Adrian and found that his childhood sweetheart was with him, she suddenly realized that she appeared so abruptly. Adrian's family did not support him to go to the Frantz family to repent and ask for forgiveness. They all thought he was crazy. Only his fiancée, Fanny, encouraged and supported Adrian with empathetic love and understanding. When she arrived at Adrian's house, her mother was the first to receive her. Adrian happened to be out riding a horse. She seemed to think that Anna was a little abrupt, not genuinely welcoming, and slightly repulsive. When Fanny sang at the family concert that night, Anna, who was sitting behind the piano, noticed that Adrian, who was playing the violin, and Fanny, who was singing beside him, were in love with each other. , the piano sound came to an abrupt end... She said with grievance and tears: "No, I didn't think about Frantz, I'm thinking of you, Adrian...you don't know anything". Frantz is both the beginning of their bond and the barrier between them. Early the next morning, Adrian's mother asked Adrian why he invited Anna's conversation happened to be heard by Anna who was going downstairs to leave. Adrian said that Anna came to tell him that she forgave him, and her mother also said: "You are so naive, that's why I love you. "He wanted to lean over to hug Adrian and was rejected. Although Adrian was selfish and naive, the war failed to obliterate the innocence and kindness in his heart... She went back to the Louvre in Paris to appreciate Adrian's favorite Mo. Nye's "Suicide", with a serious young man sitting in front of it, I think when she admits to liking it: "It makes me want to live", I feel both for Frantz's kindness in the war and for Adrian The tears of repentance from thousands of miles away and being tortured by conscience are filled with awe and love. Frantz prefers self-sacrifice - completely giving up self-protection when confronting the enemy in war, deliberately not loading bullets in his rifle, and letting the pistol decide him, She is also unwilling to carry out slaughter to destroy human nature for the sake of cruel survival. The goodness of human nature has not been wiped out because of the war. And Anna was saved from resisting the war with kindness from her heart, and a huge power to survive and continue This mission of good illuminates her life and drives away the selfishness of war.
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