I read it on Sunday and dragged it off to write it now. Why do I feel so busy these days? But it also feels like I haven't hurry up enough... The wedding banquet, the ending is beautiful, it's a compromise from everyone. Movies that actually exist in reality are talking about, and ideal situations that don't exist in reality are also covered in movies. The predicament in Pushing Hands and the Wedding Banquet finally ends with a harmonious ending, which is an idealized and balanced solution found in the predicament. On the surface level, at the wedding banquet, the parents fulfilled their wish to inherit the lineage, the male protagonist continued to live sweetly with her boyfriend, and the female protagonist also got a green card. Deep down, I always felt that my father expressed a lot of obscure things, and my father's reaction always felt that it was not as simple as the surface. "Accepting homosexuality" is a vulgar plot, and some absurd comedies in the middle are the seasoning to help the interpretation. I am still a little confused about the heroine's plan to give birth to a child. Compared with Pushing Hands, this one has no resonance and emotion, and each party has a "non-pure emotion" appeal, which makes me unmoved. My mother was so anxious to stop it when she heard that the heroine and the heroine beat the child, and what she and the heroine said made me feel helpless in human nature (I wanted to call it ugly, but I think it was the result of social 'cultivation'). Maybe that's the fact that documentaries reflect this type of person in reality. It is from the perspective of an observer, but perhaps the director did not intend to impress the audience, but to be as documentary as writing a novel.
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