The theme of redemption is not new enough but enough to heal

Destin 2022-04-23 07:05:43

Before watching the drama, I was still confused about the title of the drama. At first, I was watching it as an idol drama, but I gradually realized that the power of the drama is very powerful.

The main line of this play should be called "mutual redemption".

The male and female protagonists help each other to get rid of the shackles that bind themselves in pulling and pulling again and again. This kind of 1+1 is greater than 2, which makes both people a better relationship, which is particularly touching.

The male protagonist is trapped in his mother's neglect of himself and blindly paying for his brother's atonement, losing himself and binding himself. The heroine is trapped in her mother's nightmare, and her father's alienation and disgust, unable to extricate herself from the quagmire of lack of love and control since childhood. In the first half, the male protagonist was constantly being pulled between the female protagonist and his brother, like two people stuck in a swamp fighting for the only support tree. Fortunately, the last three people all went ashore together, and the three loveless and homeless children found a common home.

Korean dramas have always had this power of mutual redemption, support and healing. Every fairy tale in the play conveys this kind of power, from the child who eats nightmares to the dog in the spring, through the cloak of fairy tales, the power infiltrating people's hearts helps people to go out and get out of the predicament.

Although in reality, the blood of the dog cannot be resolved so ideally in many cases, but seeing such a story can't help but be moved, and it makes people yearn for such a warm world full of love and beautiful humanity .

The involvement and changes in the relationship between the characters in the play are also very interesting. Wen Ying and Zhu Li don't deal with each other on the surface, but in fact they used to be intimate; Wen Ying and Xiangren seem to be only involved in work, but in fact they show concern for more than ten years; Zhu Li's mother has expressed many times that she hates Gang Tai and feels distressed. The emotional involvement between any two people is complicated, some love and hate, some hate and can't bear it, there is a clear relationship but they are afraid of caring, and so on. But with the development of the plot, the love between people gradually outweighs the misunderstanding, and the goodwill gradually drowns out the resentment. This group of people seems to be tied together by an invisible rope, becoming more and more intimate, more and more like family and friends, Everyone has gained love or friendship or family affection in this, becoming more and more brave and firm, and getting better and better. This is probably what it means to grow up.

I especially like Julie's mother. Such a person may be called "big wisdom and foolishness". She is like a big parent, as if at any time, she can be cured by eating her hot meal and a bowl of hot soup. This group of children who lack love, no matter whether they are fighting with each other or arguing with each other, can get infinite kindness and love from her. If there really is such an elder in reality, who always uses a broad mind to embrace everything, to feel distressed, to enlighten, and to guide the young people around, maybe the world will be less dark and resentful, and then a lot less talkative Tragedy and misfortune of unknown cause and effect.

The protagonists, supporting roles, and even every patient in a mental hospital are very three-dimensional. From each incident, they can gradually gain insight into their hearts and the cause and effect behind them. This is probably why I am too old to watch idol dramas, but I am always attracted to Korean drama idol dramas. Because this is not only about the love of the male and female protagonists, their awe and responsibility for their profession, and their confusion and firmness in their ideals. The plot revolves around people's hearts, and always revolves around the relationship, relationship and emotion between people. They find themselves in the play and redeem each other. The audience often finds themselves in the play and perfects themselves when watching the play. Many social problems are epitomized to all kinds of patients and patients in a small mental hospital.

Such a plot with a theme like this is indeed not trendy enough, and even in the middle, you can already guess the direction and ending, but the actor's acting skills, from the soundtrack to the lines on the screen, can catch people's impetuous heart that wants 2 times faster. , and then immerse yourself in it. I think that's fine, not to innovate for the sake of innovation, after all, conveying goodwill is an eternal theme.

View more about It's Okay to Not Be Okay reviews